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© 2013 Museum Associates/LACMA THE MAGAZINE EXHIBITIONS Fashion in Europe history in its own fashion Fashion, like painting, reflects the world. The industrious development of skills merges with a history of people, where forms often illustrate the societies that invent them. Through a sensual relationship between fabrics and movement, the couturier's eye captures lifestyles in a silhouette. He proposes them, fixes their ephemeral contours, and delineates their impression. Like a painter, he illustrates their spirit, too, and lays down the colours of a particular time. The garment, a 4 SEE THE VIDEO 98 GAZETTE DROUOT INTERNATIONAL I N° 23 fragile everyday item and the sociological and aesthetic witness of an epoch, becomes the expression of a civilisation. The LACMA (Los Angeles County Museum of <strong>Art</strong>) understood this a long time ago, and has been adding historical clothing to its collections since 1915, even before its first paintings. And now, after a stopover in Berlin, the institution is presenting a collection of remarkable outfits and accessories built up over fifty years by two antique dealers and collectors of ancient fabrics: Martin Kamer from London, and Wolfgang Ruf from Switzerland. Reality transcended A circuit like a long, winding ribbon, dreamed up by stage designer Frédéric Beauclair, gradually unfolds the development of silhouettes. In simple, almost invisible display cases, these set up a comparison and a dialogue, like a conversation between models of all ages, which the visitor is invited to join in. Displayed with skilfully reflected viewpoints, we see around a hundred pieces plucked from two centuries of design between 1700 and 1915. Like a family tree, this journey through time reveals the association between forms, from late Louis XIV sack-back gowns with their scalloped ruffle sleeves to the fluid, slender forms of Paul Poiret worn up to the middle of the First World War. Like an immobile fashion show, this scholarly and even elitist panorama, though it may lack solid, explicit points of reference, reveals the predominance of French fashion in Europe through Turban, Paul Poiret, worn by Denise Poiret for the "Thousand and second night" party, 1911.
Redingote dress, silk and cotton, c.1790 . EXHIBITIONS THE MAGAZINE N° 23 I GAZETTE DROUOT INTERNATIONAL 99 © 2013 Museum Associates/LACMA
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Gazette Drouot INTERNATIONAL NUMBER
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Les Florilèges FINEST FRENCH WINES
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Les Florilèges MODERN ART 24th to
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90 DISCOVERY EXHIBITIONS Between th
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www.pad-fairs.com PARTENAIRES PARTE
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© Private collection 783,563 The s
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Modern and contemporary paintings C
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J. de COLONGES Maison de Ventes aux
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Agrément N°2001-006 du 7 novembre
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THE MAGAZINE UPCOMING AUCTIONS 15 M
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The Spirit of the 19th century Date
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AUCTION IN PARIS WEDNESDAY, 10 th A
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THE MAGAZINE UPCOMING AUCTIONS HD 2
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BEAUSSANT LEFÈVRE Auctioneers PARI
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Page 53 and 54: €1,461,800 Talbot Lago T 150 C, 1
Page 55 and 56: €198,000 Congolese reliquary Afri
Page 57 and 58: €82,300 Goossens, jeweller to Fre
Page 59 and 60: €41,852 Domínguez, Picasso-style
Page 61 and 62: €6,660,713 On 16 February in Pari
Page 63 and 64: AUCTION RESULTS THE MAGAZINE Gunnin
Page 65 and 66: AUCTION RESULTS THE MAGAZINE €18,
Page 67 and 68: Celadon Jade €375,000 Dating from
Page 69 and 70: Joséphine Baker at Bobino €12,05
Page 71 and 72: Lucien Lelong €7,495 Perfect for
Page 73 and 74: "Portrait of Jacopo Boncompagni" by
Page 75 and 76: Berthe Morisot (1841-1895), "Après
Page 77 and 78: Set of twelve plates in Sèvres por
Page 80 and 81: THE MAGAZINE EVENT Marseille-Proven
Page 82 and 83: © Lisa Ricciotti THE MAGAZINE EVEN
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Page 88 and 89: THE MAGAZINE EXHIBITIONS Paris Shan
Page 90 and 91: © Jacopo Brancati, Infine Arts THE
Page 92 and 93: THE MAGAZINE DISCOVERY the Chinese
Page 94 and 95: THE MAGAZINE ART FAIR Tefaf 2013 ed
Page 96 and 97: THE MAGAZINE ART FAIR Carlo Giulian
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