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Art Market Magazine - Visit zone-secure.net

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THE MAGAZINE AUCTION RESULTS<br />

Chinese Republic<br />

Wang Dafan (1888 -1961), china<br />

porcelain plaque with enamel<br />

polychrome decoration. 42 x 25.5 cm.<br />

66 GAZETTE DROUOT INTERNATIONAL I N° 23<br />

€74,998<br />

Imperial Chinese porcelains have been throwing<br />

auction enthusiasts into a frenzy for years. But some<br />

time ago, works produced under the Republic of China<br />

also entered the picture, even without the rubber<br />

stamp of a precious imperial pedigree. Estimated at<br />

€200 and knocked down for €74,998 on 13 February at<br />

Drouot (Pierre Bergé auction house), this porcelain<br />

plaque by Wang Dafan bears witness to the new craze.<br />

The world record for this artist, CNY9.2 M ($1.4 M;<br />

source: <strong>Art</strong><strong>net</strong>) was set at Poly by a large porcelain<br />

plaque depicting an offering being made to a group of<br />

dignitaries. For a vase, a record of CNY5.98 M<br />

($939,011) was achieved in June last year at the Beijing<br />

Council International Auction Co. by a 1928 square<br />

model decorated with figures in landscapes. Outside<br />

China, the highest price, £241,250 ($384,400), went on<br />

10 November 2011 (at Bonhams London) to a plaque<br />

from around 1930 (83 x 23 cm) showing Yin Shi and<br />

You Zuo awaiting the arrival of their teacher, Cheng Yi.<br />

After the end of the Qing dynasty, measures were<br />

taken to deal with the production crisis of Chinese<br />

ceramics, which were encountering strong<br />

competition from Japan with imports and from<br />

Europe with exports. Various reforms were introduced<br />

at the porcelain capital, Jingdezhen, including the<br />

development of private workshops specialising in<br />

artistic creation, as opposed to anonymous mass<br />

production. Taking up the fencai enamels of the<br />

Famille Rose, but treating them in a more lively<br />

manner, Wang Xiaotang and Pan Taoyu were the<br />

pioneers of this new style. Some of Pan Taoyu's<br />

students created the "Eight Friends of Zhushan" group,<br />

one of whom was Wang Dafan. He excelled in the<br />

representation of human figures. His masterful skill can<br />

be seen in the soft shades and expressive face of this<br />

immortal being offered a peony on a tray. S. A.

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