Chapter One Federal Government - Minnesota State Legislature
Chapter One Federal Government - Minnesota State Legislature
Chapter One Federal Government - Minnesota State Legislature
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<strong>Minnesota</strong> Historical Society photograph<br />
By Brian Horrigan<br />
Legacy <strong>Chapter</strong> Seven<br />
HISTORICAL REVIEW: STATE CAPITOL CENTENNIAL<br />
2005 marks the centennial of the <strong>Minnesota</strong> <strong>State</strong> Capitol, a National Historic Landmark since<br />
1972. The Capitol has been part of the <strong>Minnesota</strong> Historical Society’s historic site program since<br />
1969. Today, the society is responsible for the Capitol’s furnishings and artwork, and it oversees<br />
preservation work, leads tours of the building, and provides special events and educational<br />
programs. In 2005, in cooperation with the <strong>State</strong> Capitol Centennial Commission, the society is<br />
sponsoring a yearlong celebration, including an exhibit at the History Center, special tours, and<br />
public programs.<br />
When its white dome first swims into view there is a shock of surprise, then a rapidly<br />
growing delight in its pure beauty, and as one studies the building, inside and out, the<br />
surprise and delight increase. <strong>One</strong> leaves it with regret and with the hope of return.<br />
–Kenyon Cox, Architectural Record, August 1905<br />
On January 2, 1905, thousands of <strong>Minnesota</strong>ns streamed through the richly decorated halls and<br />
chambers of their new state capitol for the first time. The product of nearly 12 years of planning<br />
and construction, the Capitol was immediately hailed throughout the country as one of America’s<br />
grandest and most beautiful public buildings, a reputation that has endured for a hundred years.<br />
The 1905 building is the third to serve as <strong>Minnesota</strong>’s seat of government. The first was built at<br />
10th and Cedar Streets in 1853, during the territorial period. Destroyed by fire in 1881, it was<br />
replaced two years later on the same site by a red brick Victorian structure with a distinctive tower.<br />
Complaints that the new building was cramped and stuffy began immediately, and led just 10 years<br />
later to a legislative committee calling for a new state Capitol. (The much unloved second Capitol<br />
remained in use as a public building until 1937, when it was demolished.)<br />
The journey to a new capitol began in 1893, when the legislature made the first appropriation of<br />
funds. An architectural competition two years later attracted more than 40 entries, all of them<br />
inspired by the monumental buildings of the famed “White City,” the Columbian Exposition in<br />
Chicago of 1893. The site for each design entry was the same–the rise of land called Wabasha Hill<br />
several blocks north of downtown. The winning design was the work of Cass Gilbert, an<br />
influential local architect who was just 35 years old.<br />
Gilbert was born in 1859 in Ohio and raised in St. Paul. As a young<br />
architect, he was known for his elegant drawings and watercolors. By the<br />
1890s, he had become a key player on the national architectural scene–an<br />
early start in the prestigious New York office of McKim, Mead & White; an<br />
architecture judge for the Chicago fair; and president of the <strong>Minnesota</strong> chapter<br />
of the American Institute of Architects. His experience and talent, along<br />
with his powers of persuasion and local connections, propelled him to the<br />
head of the field in the competition for the <strong>Minnesota</strong> Capitol.<br />
Gilbert’s managerial skills<br />
and political savvy served<br />
him well in the years he<br />
Cass Gilbert was involved in this complex<br />
project. However, a building of this scale<br />
and quality might never have been completed<br />
without the often overlooked work of the Board<br />
of <strong>State</strong> Capitol Commissioners. This distinguished<br />
group of civic leaders, ably led by the<br />
tough-minded St. Paul businessman Channing<br />
Seabury, served without pay for more than a<br />
decade, shepherding the project through six legislative<br />
sessions, five governors, and hundreds of<br />
contractors.<br />
capitol construction<br />
Still, the commissioners played an essentially supporting role, remaining behind the scenes. Very<br />
much in front of the scenes was the architect. It was Gilbert who insisted on one of the Capitol’s<br />
most brilliant features–the dazzling white Georgia marble used for the upper walls and dome.<br />
Many objected to using materials from a state that had been on the opposite side of <strong>Minnesota</strong> in<br />
277<br />
<strong>Minnesota</strong> Historical Society photograph<br />
<strong>Chapter</strong><br />
Seven<br />
Legacy