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Chapter One Federal Government - Minnesota State Legislature

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<strong>Minnesota</strong> Historical Society photograph<br />

By Brian Horrigan<br />

Legacy <strong>Chapter</strong> Seven<br />

HISTORICAL REVIEW: STATE CAPITOL CENTENNIAL<br />

2005 marks the centennial of the <strong>Minnesota</strong> <strong>State</strong> Capitol, a National Historic Landmark since<br />

1972. The Capitol has been part of the <strong>Minnesota</strong> Historical Society’s historic site program since<br />

1969. Today, the society is responsible for the Capitol’s furnishings and artwork, and it oversees<br />

preservation work, leads tours of the building, and provides special events and educational<br />

programs. In 2005, in cooperation with the <strong>State</strong> Capitol Centennial Commission, the society is<br />

sponsoring a yearlong celebration, including an exhibit at the History Center, special tours, and<br />

public programs.<br />

When its white dome first swims into view there is a shock of surprise, then a rapidly<br />

growing delight in its pure beauty, and as one studies the building, inside and out, the<br />

surprise and delight increase. <strong>One</strong> leaves it with regret and with the hope of return.<br />

–Kenyon Cox, Architectural Record, August 1905<br />

On January 2, 1905, thousands of <strong>Minnesota</strong>ns streamed through the richly decorated halls and<br />

chambers of their new state capitol for the first time. The product of nearly 12 years of planning<br />

and construction, the Capitol was immediately hailed throughout the country as one of America’s<br />

grandest and most beautiful public buildings, a reputation that has endured for a hundred years.<br />

The 1905 building is the third to serve as <strong>Minnesota</strong>’s seat of government. The first was built at<br />

10th and Cedar Streets in 1853, during the territorial period. Destroyed by fire in 1881, it was<br />

replaced two years later on the same site by a red brick Victorian structure with a distinctive tower.<br />

Complaints that the new building was cramped and stuffy began immediately, and led just 10 years<br />

later to a legislative committee calling for a new state Capitol. (The much unloved second Capitol<br />

remained in use as a public building until 1937, when it was demolished.)<br />

The journey to a new capitol began in 1893, when the legislature made the first appropriation of<br />

funds. An architectural competition two years later attracted more than 40 entries, all of them<br />

inspired by the monumental buildings of the famed “White City,” the Columbian Exposition in<br />

Chicago of 1893. The site for each design entry was the same–the rise of land called Wabasha Hill<br />

several blocks north of downtown. The winning design was the work of Cass Gilbert, an<br />

influential local architect who was just 35 years old.<br />

Gilbert was born in 1859 in Ohio and raised in St. Paul. As a young<br />

architect, he was known for his elegant drawings and watercolors. By the<br />

1890s, he had become a key player on the national architectural scene–an<br />

early start in the prestigious New York office of McKim, Mead & White; an<br />

architecture judge for the Chicago fair; and president of the <strong>Minnesota</strong> chapter<br />

of the American Institute of Architects. His experience and talent, along<br />

with his powers of persuasion and local connections, propelled him to the<br />

head of the field in the competition for the <strong>Minnesota</strong> Capitol.<br />

Gilbert’s managerial skills<br />

and political savvy served<br />

him well in the years he<br />

Cass Gilbert was involved in this complex<br />

project. However, a building of this scale<br />

and quality might never have been completed<br />

without the often overlooked work of the Board<br />

of <strong>State</strong> Capitol Commissioners. This distinguished<br />

group of civic leaders, ably led by the<br />

tough-minded St. Paul businessman Channing<br />

Seabury, served without pay for more than a<br />

decade, shepherding the project through six legislative<br />

sessions, five governors, and hundreds of<br />

contractors.<br />

capitol construction<br />

Still, the commissioners played an essentially supporting role, remaining behind the scenes. Very<br />

much in front of the scenes was the architect. It was Gilbert who insisted on one of the Capitol’s<br />

most brilliant features–the dazzling white Georgia marble used for the upper walls and dome.<br />

Many objected to using materials from a state that had been on the opposite side of <strong>Minnesota</strong> in<br />

277<br />

<strong>Minnesota</strong> Historical Society photograph<br />

<strong>Chapter</strong><br />

Seven<br />

Legacy

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