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7<br />

J.<br />

l-',<br />

l:<br />

l ;<br />

l € t<br />

I<br />

a-/ t<br />

wr<br />

\-t<br />

E<br />

3I<br />

;<br />

l :<br />

l 7<br />

L-.-<br />

=<br />

?,<br />

A Major:<br />

4. Couperrn: Lct Bandoline, m. l-4.<br />

A Minor:<br />

5. Brahms: Waltzes, op. 39, no. 2, rn. l-4.<br />

E Major:<br />

6. Weber: Concertstuck, op. J9, m. 1-/.<br />

F Minor:<br />

Really Ruled the Waves." fiom lolanthe, m. 6-9.<br />

7. Schubert: Sonata in G Major, op. 78, III (Menuetto), m. l-4.<br />

B Minor:<br />

Assignment<br />

6.3<br />

1. Have a class member play the excerpt provided from the Mozart Sonata K. 331 .<br />

2. Make a complete melodic analysis of the excerpt.<br />

3. Answer the following questions. For the pu{pose of these questions, be concerned only<br />

with the melody (highest sounding tones):<br />

a.Aperiodmadeupofparal1elphrasesoccurSat-(measurenumbers).<br />

b. A sequence occurs at --- (measure numbers).<br />

c. Including the repeat marks, a repeated period occurs at<br />

numbers).<br />

d. A phrase extension occurs at - (measure numbers)"<br />

e. The phrase (see d. above) is extended in (pan of the phrase).<br />

f. A phrase that is contrasting to all other phrases occurs at<br />

numbers).<br />

Melodic Orqanization<br />

(measure<br />

(measure<br />

125

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