Medieval Period Bibliography

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20 Broadview Anthology of British Literature Anglo-Saxon and Related Themes in Memory of Lynne Grundy, ed. Jane Roberts and Janet Nelson, 2000: 411–33. John Richardson, “Hlude wæron hy: Syncretic Christianity in the Old English Charm Wið Færstice,” Mankind Quarterly 42, 2001: 21–45. D.G.Scragg, ed., Superstition and Popular Medicine in Anglo-Saxon England, 1989. Judith A. Vaughan-Sterling, “The Anglo Saxon Metrical Charms: Poetry as Ritual,” Journal of English and Germanic Philology 82, 1983: 186–200. Quem Quaeritis Text: The Latin text has been newly translated for this anthology. Editions and Translations: David Bevington, ed. Medieval Drama, 1975. John Gassner, ed., Medieval and Tudor Drama, 1963. T. Wright, ed., Early Mysteries and Other Latin Poems, 1838. Criticism: David A. Bjork, “On the Dissemination of Quem Quaeritis and the Visitatio Sepulchri and the Chronology of their Early Sources,” The Drama in the Middle Ages: Comparative and Critical Essays, eds. Clifford Davidson, C.J. Gianakaris, and John H. Stroupe, 1982: 1–24. James M. Gibson, “Quem Queritis in Presepe: Christmas Drama or Christmas Liturgy?” Drama in the Middle Ages: Comparative and Critical Essays, eds. Clifford Davidson and John H. Stroupe, 1990: 106–28. O.B. Hardison, Christian Rite and Christian Drama in the Middle Ages, 1965. Michal Kobialka, “The Quem Quaeritis: Theatre History Displacement,” Theatre History Studies 8, 1988: 35–51. Timothy McGee, The Liturgical Origin and Early History of the Quem Quaeritis Dialogue, 1974. The Service for Representing Adam (Jeu d’Adam) Text: For this anthology the David Bevington translation has been used. Editions: Paul Aebischer, ed., Le Mystère d’Adam: Ordo Representacionis Ade, 1963. David Bevington, ed., Medieval Drama, 1975. Arthur Harden, ed., Trois piéces médiévales: Le Jeu d’Adam, Le Miracle de Théophile, La Farce du Cuvier, 1967. Willem Noomen, ed., Le Jeu d’Adam: Ordo representacionis Ade, 1971. Criticism: James C. Atkinson, “Theme, Structure and Motif in the Mystere d’Adam,” Philological Quarterly 56, 1977: 27–42. Erich Auerbach, Mimesis: The Representation of Reality in Western Literature, 1953. Hardin Craig, English Religious Drama of the Middle Ages, 1955. Grace Frank, The Medieval French Drama, 1954. Joan Tasker Grimbert, “Eve as Adam’s Pareil: Equivalence and Subordination in the Jeu d’Adam,” Literary Aspects of Courtly Culture, eds. Donald Maddox and Sara Sturm-Maddox, 1994: 29–37. O.B. Hardison, Christian Rite and Christian Drama in the Middle Ages, 1965. Steven Justice, “The Authority of Ritual in the Jeu d’Adam,” Speculum 62, 1987: 851–64. Emanuel J. Mickel, “Faith, Memory, Treason and Justice in the Ordo Representacionis Ade (Jeu d’Adam),” Romania 112, 1991: 129–54. Lynette R. Muir, Liturgy and Drama in the Anglo- Norman Adam, 1973. Roger Pensom, “Theatrical Space in the Jeu d’Adam,” French Studies 47, 1993: 257–75.
Sir Gawain and the Green Knight Text: The James Winny translation has been used for the anthology. Editions and translations: Marie Borroff, trans., Sir Gawain and the Green Knight, 1967. Andrew Malcolm and Ronald Waldron, ed. and trans., The Poems of the Pearl Manuscript: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, 4 th ed., 2002. Theodore Silverstein, ed., Sir Gawain and the Green Knight: A New Critical Edition, 1984. J.R.R. Tolkien and E. V. Gordon, eds., rev. by Norman Davis, Sir Gawain and the Green Knight, 1967. William Vantuono, ed., The Pearl Poems: An Omnibus Edition, 1984. James Winny, trans. and ed., Sir Gawain and the Green Knight, 1992. Criticism: Ross G. Arthur, Medieval Sign Theory and Sir Gawain and the Green Knight, 1987. Robert J. Blanch, Miriam Youngerman Miller, and Julian N. Wasserman, eds., Text and Matter: New Critical Perspectives of the Pearl-Poet, 1991. Robert J. Blanch and Julian N. Wasserman, From Pearl to Gawain: Forme to Fynisment, 1995. Marie Borroff, Sir Gawain and the Green Knight: A Stylistic and Metrical Study, 1962. Derek Brewer and Jonathan Gibson, eds., A Companion to the Gawain-Poet, 1997. Norris J. Lacy, ed., The Arthurian Encyclopedia, 1986. Miriam Youngerman Miller and Jane Chance, eds., Approaches to Teaching Sir Gawain and the Green Knight, 1986. Michael W. Twomey, “The Gawain-Poet,” Readings in Medieval Texts: Interpreting Old and Middle English Literature, eds. David F. Johnson and Elaine Treharne, 2005: 273–87. Medieval Period Bibliography 21 Sir Orfeo Text: For this anthology the Lakeaya and Salisbury text has been used. Editions and translations: A.J. Bliss, ed., Sir Orfeo, 2 nd ed., 1966. Thomas Chestre, Lesley Johnson, and Elizabeth Williams, eds., Sir Orfeo and Sir Launfal, 1984. A.C. Gibbs, ed., Middle English Romances, 1966. Anne Laskaya and Eve Salisbury, eds., The Middle English Breton Lays, 1995. Donald B. Sands, ed., Middle English Verse Romances, 1966. J.R.R. Tolkien, trans., Sir Gawain and the Green Knight, Pearl, and Sir Orfeo, 1975. Criticism: H. Aertsen and Alasdair A. MacDonald, eds., Companion to Middle English Romance, 2 nd ed., 1994. Roberta L. Krueger, The Cambridge Companion to Medieval Romance, 2000. Seth Lerer, “Artifice and Artistry in Sir Orfeo,” Speculum 60, 1985: 92–109. R.M. Liuzza, “Sir Orfeo: Sources, Traditions, and the Poetics of Performance,” Journal of Medieval and Renaissance Studies 21, 1991: 269–84. Sharon Ouditt, Displaced Persons: Conditions of Exile in European Culture, 2002. Felicity Riddy, “The Uses of the Past in Sir Orfeo,” Yearbook of English Studies 6, 1976: 5–15. N.H.G.E. Veldhoen and H. Aertsen, eds., Companion to Early Middle English Literature, 1995. The Wakefield Master – The Second Shepherd’s Play and Herod the Great Text: For the anthology spelling and punctuation have been substantially modernized from the original Towneley text. Editions: John Russel Brown, ed., The Complete Plays of the Wakefield Master, 1983.
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Page 3 and 4: Atti del Convegno internazionale di
Page 5 and 6: Artistry,” Journal of English and
Page 7 and 8: Criticism: Robin Ann Aronstam, “T
Page 9 and 10: Contexts: Religious and Spiritual L
Page 11 and 12: John Cunningham, “Comedic and Lit
Page 13 and 14: Marie Nelson, “Four Social Functi
Page 15 and 16: Hugh Magennis, “Adaptation of Bib
Page 17 and 18: most widely read in the period. The
Page 19: D.J. Ransom, Poets at Play: Irony a

Medieval Period Bibliography

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