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Medieval Period Bibliography

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20 Broadview Anthology of British Literature<br />

Anglo-Saxon and Related Themes in Memory of Lynne<br />

Grundy, ed. Jane Roberts and Janet Nelson, 2000:<br />

411–33.<br />

John Richardson, “Hlude wæron hy: Syncretic<br />

Christianity in the Old English Charm Wið<br />

Færstice,” Mankind Quarterly 42, 2001: 21–45.<br />

D.G.Scragg, ed., Superstition and Popular Medicine in<br />

Anglo-Saxon England, 1989.<br />

Judith A. Vaughan-Sterling, “The Anglo Saxon Metrical<br />

Charms: Poetry as Ritual,” Journal of English and<br />

Germanic Philology 82, 1983: 186–200.<br />

Quem Quaeritis<br />

Text: The Latin text has been newly translated for this<br />

anthology.<br />

Editions and Translations:<br />

David Bevington, ed. <strong>Medieval</strong> Drama, 1975.<br />

John Gassner, ed., <strong>Medieval</strong> and Tudor Drama, 1963.<br />

T. Wright, ed., Early Mysteries and Other Latin Poems,<br />

1838.<br />

Criticism:<br />

David A. Bjork, “On the Dissemination of Quem<br />

Quaeritis and the Visitatio Sepulchri and the<br />

Chronology of their Early Sources,” The Drama in<br />

the Middle Ages: Comparative and Critical Essays, eds.<br />

Clifford Davidson, C.J. Gianakaris, and John H.<br />

Stroupe, 1982: 1–24.<br />

James M. Gibson, “Quem Queritis in Presepe: Christmas<br />

Drama or Christmas Liturgy?” Drama in the Middle<br />

Ages: Comparative and Critical Essays, eds. Clifford<br />

Davidson and John H. Stroupe, 1990: 106–28.<br />

O.B. Hardison, Christian Rite and Christian Drama in<br />

the Middle Ages, 1965.<br />

Michal Kobialka, “The Quem Quaeritis: Theatre<br />

History Displacement,” Theatre History Studies 8,<br />

1988: 35–51.<br />

Timothy McGee, The Liturgical Origin and Early<br />

History of the Quem Quaeritis Dialogue, 1974.<br />

The Service for Representing Adam (Jeu d’Adam)<br />

Text: For this anthology the David Bevington translation<br />

has been used.<br />

Editions:<br />

Paul Aebischer, ed., Le Mystère d’Adam: Ordo<br />

Representacionis Ade, 1963.<br />

David Bevington, ed., <strong>Medieval</strong> Drama, 1975.<br />

Arthur Harden, ed., Trois piéces médiévales: Le Jeu<br />

d’Adam, Le Miracle de Théophile, La Farce du<br />

Cuvier, 1967.<br />

Willem Noomen, ed., Le Jeu d’Adam: Ordo representacionis<br />

Ade, 1971.<br />

Criticism:<br />

James C. Atkinson, “Theme, Structure and Motif in the<br />

Mystere d’Adam,” Philological Quarterly 56, 1977:<br />

27–42.<br />

Erich Auerbach, Mimesis: The Representation of Reality<br />

in Western Literature, 1953.<br />

Hardin Craig, English Religious Drama of the Middle<br />

Ages, 1955.<br />

Grace Frank, The <strong>Medieval</strong> French Drama, 1954.<br />

Joan Tasker Grimbert, “Eve as Adam’s Pareil: Equivalence<br />

and Subordination in the Jeu d’Adam,”<br />

Literary Aspects of Courtly Culture, eds. Donald<br />

Maddox and Sara Sturm-Maddox, 1994: 29–37.<br />

O.B. Hardison, Christian Rite and Christian Drama in<br />

the Middle Ages, 1965.<br />

Steven Justice, “The Authority of Ritual in the Jeu<br />

d’Adam,” Speculum 62, 1987: 851–64.<br />

Emanuel J. Mickel, “Faith, Memory, Treason and<br />

Justice in the Ordo Representacionis Ade (Jeu<br />

d’Adam),” Romania 112, 1991: 129–54.<br />

Lynette R. Muir, Liturgy and Drama in the Anglo-<br />

Norman Adam, 1973.<br />

Roger Pensom, “Theatrical Space in the Jeu d’Adam,”<br />

French Studies 47, 1993: 257–75.

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