Medieval Period Bibliography

12 Broadview Anthology of British Literature
and The Seafarer,” Anglo-Saxon Poetry: Essays in
Appreciation, For John C. McGalliard, ed. Lewis E.
Nicholson and Dolores Warwick Frese, 1975: 208–
23.
Roy F. Leslie, “The Editing of Old English Poetic
Texts: Questions of Style,” Old English Poetry: Essays
on Style, ed. Daniel G. Calder, 1979: 111–25.
Roy F. Leslie, “The Meaning and Structure of The
Seafarer,” The Old English Elegies: New Essays in
Criticism and Research, ed. Martin Green, 1983:
96–122.
R.M. Liuzza, “The Tower of Babel: The Wanderer and
the Ruins of History,” Studies in the Literary
Imagination 36, 2003: 1–35
Karma Lochrie, “Wyrd and the Limits of Human
Understanding: A Thematic Sequence in the Exeter
Book,” Journal of English and Germanic Philology 85,
1986: 323–31.
María José Mora, “The Invention of the Old English
Elegy,” English Studies 76, 1995: 129–39.
Andy Orchard, “Re-reading The Wanderer: The Value
of Cross-References,” Via Crucis: Essays on Early
Medieval Sources and Ideas in Memory of J.E. Cross,
ed. Thomas N. Hall, 2002: 1–26.
Peter Orton, “The Form and Structure of The Seafarer,”
Studia Neophilologica 63, 1991: 37–55.
Carol Braun Pasternack, “Anonymous Polyphony and
The Wanderer’s Textuality,” Anglo-Saxon England
20, 1991: 99–122.
Carol Braun Pasternack, The Textuality of Old English
Poetry, 1995.
Alain Renoir, “A Reading Context for The Wife’s
Lament,” Anglo-Saxon Poetry: Essays in Appreciation,
For John C. McGalliard, ed. Lewis E. Nicholson and
Dolores Warwick Frese, 1975: 224–41.
Gerald Richman, “Speaker and Speech Boundaries in
The Wanderer,” Journal of English and Germanic
Philology 81, 1982: 469–79.
Jane Roberts, “The Exeter Book: swa is lar 7 ar to
spowendre spræce gelæded,” Dutch Quarterly Review of
Anglo-American Letters 11, 1981: 302–19.
John L. Selzer, “The Wanderer and the Meditative
Tradition,” Studies in Philology 80, 1983: 227–37.
T.A. Shippey, “The Wanderer and The Seafarer as
Wisdom Poetry,” Companion to Old English Poetry,
ed. Henk Aertsen and Rolf H. Bremmer, Jr., 1994:
145–58.
Barrie Ruth Straus, “Women’s Words as Weapons:
Speech as Action in ‘The Wife’s Lament,’” Texas
Studies in Literature and Language 23, 1981:
268–85.
Arnold V. Talentino, “Moral Irony in The Ruin,” Papers
on Language and Literature 14, 1978: 3–10.
Ruth Wehlau, “‘Seeds of Sorrow’: Landscapes of
Despair in The Wanderer, Beowulf’s Story of Hrethel
and Sonatorrek,” Parergon 15, 1998: 1–17.
Karl P. Wentersdorf, “The Situation of the Narrator in
the Old English Wife’s Lament,” Speculum 56, 1981:
492–516.
Rosemary Woolf, “The Wanderer, The Seafarer, and the
Genre of Planctus,” Anglo-Saxon Poetry: Essays in
Appreciation, For John C. McGalliard, ed. Lewis E.
Nicholson and Dolores Warwick Frese, 1975: 192–
207.
Exeter Book Riddles
Text: This anthology reprints the translations of Craig
Williamson.
Editions:
George P. Krapp and Elliot Van Kirk Dobbie, eds., The
Exeter Book, 1936.
Bernard Muir, ed., The Exeter Anthology of Old English
Poetry, 1994.
Craig Williamson, ed., The Old English Riddles of the
“Exeter Book,” 1977.
Translations:
Kevin Crossley-Holland, trans., The Exeter Book Riddles,
rev. ed., 1993.
Craig Williamson, ed., A Feast of Creatures: Anglo-Saxon
Riddle-Songs, 1982.
Criticism:
Edward B. Irving, Jr., “Heroic Experience in the Old
English Riddles,” Old English Shorter Poems: Basic
Readings, ed. Katherine O’Brien O’Keeffe, 1994:
199– 212.