Medieval Period Bibliography

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10 Broadview Anthology of British Literature The Dream of the Rood Texts: The poem has been newly translated for this anthology by R.M. Liuzza. Editions: George P. Krapp, ed., The Vercelli Book, 1932. Michael Swanton, ed., The Dream of the Rood, rev. ed., 1996. Criticism: Earl R. Anderson, “Liturgical Influence in The Dream of the Rood,” Neophilologus 73, 1989: 293–304. Mary Dockray-Miller, “The Feminized Cross of The Dream of the Rood,” Philological Quarterly 76, 1997: 1–18. Andrew Galloway, “Dream-Theory in The Dream of the Rood and The Wanderer,” Review of English Studies 45, 1994: 475–85. Antonina Harbus, “Dream and Symbol in The Dream of the Rood,” Nottingham Medieval Studies 40, 1996: 1–15. Julia Bolton Holloway, “‘The Dream of the Rood’ and Liturgical Drama,” Drama in the Middle Ages: Comparative and Critical Essays, eds. Clifford Davidson and John H. Stroupe, 1991: 24–42. A.D. Horgan, “The Dream of the Rood and Christian Tradition,” Neuphilologische Mitteilungen 79, 1978: 11–20. Martin Irvine, “Anglo-Saxon Literary Theory Exemplified in Old English Poems: Interpreting the Cross in The Dream of the Rood and Elene,” Style 20, 1986: 157–81. Edward B. Irving, Jr., “Crucifixion Witnessed, or Dramatic Interaction in The Dream of the Rood,” Modes of Interpretation in Old English Literature: Essays in Honour of Stanley B. Greenfield, ed. Phyllis Rugg Brown, Georgia Ronan Crampton, and Fred C. Robinson, 1986: 101–13. Margaret Jennings, “Rood and Ruthwell: The Power of Paradox,” English Language Notes 31, 1994: 6–12. David F. Johnson, “Old English Religious Poetry: Christ and Satan and The Dream of the Rood,” Companion to Old English Poetry, ed. Henk Aertsen and Rolf H. Bremmer, Jr., 1994: 159–87. Alvin A. Lee, “Toward a Critique of The Dream of the Rood,” Anglo-Saxon Poetry: Essays in Appreciation, For John C. McGalliard, ed. Lewis E. Nicholson and Dolores Warwick Frese, 1975: 163–91. Sandra McEntire, “The Devotional Context of the Cross before A. D. 1000,” Sources of Anglo-Saxon Culture, ed. Paul E. Szarmach, 1986: 345–56. Éamonn Ó’Carrigáin, “Crucifixion as Annunciation: The Relation of The Dream of the Rood to the Liturgy Reconsidered,” English Studies 63, 1982: 487–505. Éamonn Ó Carragáin, “How Did the Vercelli Collector Interpret The Dream of the Rood?” Studies in English Language and Early Literature in Honour of Paul Christophersen, ed. P. M. Tilling, 1981: 63–104. Éamonn Ó Carragáin, Ritual and the Rood: Liturgical Images and the Old English Poems of the Dream of the Rood Tradition, 2005. Carol Braun Pasternack, “Stylistic Disjunctions in The Dream of the Rood,” Anglo-Saxon England 13, 1984: 167–86. Everyman Text: Like all modern editions, the text here derives from the earliest printed text of the play (early sixteenth century), as reproduced by W.W. Greg, 1904. Spelling and punctuation have been substantially modernized. Editions: A.C. Cawley, ed., Everyman and Medieval Miracle Plays, 1990. Vincent Foster Hopper, ed., Medieval Mystery Plays: Abraham and Issac, Noah’s Flood, The Second Shepherd’s Play, Morality Plays, The Castle of Perseverance, Everyman, and the Interludes, 1962. Gerald E. Bentley, ed., The Development of Drama: An Anthology, 1950. David Bevington, ed., Medieval Drama, 1975. Criticism: Richard Beadle, ed., The Cambridge Companion to Medieval English Theatre, 1994.
John Cunningham, “Comedic and Liturgical Restoration in Everyman,” Drama in the Middle Ages: Comparative and Critical Essays, Second Series, eds. Clifford Davidson and John H. Stroupe, 1990. W.A. Davenport, Fifteenth-Century English Drama: The Early Moral Plays and their Literary Relations, 1982. David Mills, “The Theaters of Everyman,” From Page to Performance: Essays in Early English Drama, ed. John A. Alfred, 1995. Ron Tanner, “Humor in Everyman and the Middle English Morality Play,” Philological Quarterly 70, 1991: 149–61. Jerome Taylor, ed., Medieval English Drama: Essays Critical and Contextual, 1972. Zacharias P. Thundy, “Morality Plays: Mankind and Everyman,” Old and Middle English Literature, eds. Jeffrey Helterman and Jerome Mitchell, 1994: 400–04. D. Jerry White, Early English Drama, Everyman to 1580: A Reference Guide, 1986. Exeter Book Elegies: The Wanderer, The Seafarer, The Wife’s Lament, The Ruin Text: The poems have been newly translated for this anthology by R.M. Liuzza. Editions: Ida Gordon, ed., The Seafarer, reprint, 1979. Anne L. Klinck, The Old English Elegies: a Critical Edition and Genre Study, 1992. R.F. Leslie, ed., Three Old English Elegies: “The Wife’s Lament,” “The Husband’s Message,” “The Ruin,” reprint 1988. Roy F. Leslie, ed., The Wanderer, reprint, 1985. Bernard J. Muir, ed., The Exeter Anthology of Old English Poetry: An Edition of Exeter Dean and Chapter MS 3501, 2 vols., 1994. Bibliographies: Juan C. Conde-Silvestre, “The Wanderer and The Seafarer: A Bibliography 1971–1991,” SELIM 2, 1992: 170–86. Bernard J. Muir, The Exeter Book: A Bibliography, 1992. Medieval Period Bibliography 11 Criticism: William Alfred, “The Drama of The Wanderer,” The Wisdom of Poetry: Essays in Early English Literature in Honor of Morton W. Bloomfield, ed. Larry D. Benson and Siegfried Wenzel, 1982: 31–44. Janet Bately, “Time and the Passing of Time in ‘The Wanderer’ and Related OE Texts,” Essays and Studies 37, 1984: 1–15. Margrét Gunnarsdóttir Champion, “From Plaint to Praise: Language as Cure in ‘The Wanderer,’” Studia Neophilologica 69, 1997: 187–202. Marilynn Desmond, “The Voice of Exile: Feminist Literary History and the Anonymous Anglo-Saxon Elegy,” Critical Inquiry 16, 1990: 572–90. Fiona Gameson and Richard Gameson, “Wulf and Eadwacer, The Wife’s Lament, and the Discovery of the Individual in Old English Verse,” Studies in English Language and Literature. “Doubt Wisely”: Papers in Honour of E. G. Stanley, ed. M.J. Toswell and E. M. Tyler, 1996: 457–74. Martin Green, “Man, Time, and Apocalypse in The Wanderer, The Seafarer, and Beowulf,” Journal of English and Germanic Philology 74, 1975: 502–18. Martin Green, ed., The Old English Elegies: New Essays in Criticism and Research, 1983: 240. Martin Green, “Time, Memory, and Elegy in The Wife’s Lament,” The Old English Elegies: New Essays in Criticism and Research, ed. Martin Green, 1983: 123–32. Stanley B. Greenfield, “Sylf, Seasons, Structure and Genre in The Seafarer,” Anglo-Saxon England 9, 1981: 199–211. A.D. Horgan, “The Structure of The Seafarer,” Review of English Studies 30, 1979: 41–49. Shari Horner, “En/Closed Subjects: The Wife’s Lament and the Culture of Early Medieval Female Monasticism,” Æstel 2, 1994: 45–61. Nicholas Howe, “The Landscape of Anglo-Saxon England: Inherited, Invented, Imagined,” Inventing Medieval Landscapes: Senses of Place in Western Europe, ed. John Howe and Michael Wolfe, 2002: 91–112. Kathryn Hume, “The ‘Ruin Motif’ in Old English Poetry,” Anglia 94, 1976: 339–60. W.F. Klein, “Purpose and the ‘Poetics’ of The Wanderer
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Medieval Period Bibliography

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