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THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...

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and the Gregg Smith Singers on the Professional Chorus in the United States.” DMA<br />

dissertation, Southern Baptist Theological Seminary, 1993.<br />

Mussulman, Joseph A. Dear People…Robert Shaw: A Biography. Chapel Hill, NC: Hinshaw<br />

Music, 1996.<br />

Neuen, Donald. “Heads and Shoulders above the Rest.” Choral Journal 36 (1996): 4, 5.<br />

Parker, Alice. The Anatomy of Melody. Chicago: GIA Publications, 2006.<br />

_____. Email communications with author, May 18, 2009 through March 15, 2012.<br />

_____. Interview with author, Chicago, IL, March 11, 2011.<br />

_____. “Parker-Shaw Memories.” Choral Journal 36 (1996): 15-18.<br />

_____. Reflections on Song: My Musical World. New York: Melodious Accord, Inc., 2005.<br />

_____. “Remembering Robert Lawson Shaw.” The Voice of Chorus America 22 (1999); 13.<br />

_____. Telephone interviews with author: May 27, 2009; September 6, 2010; March 11, 2011;<br />

July 29, 2011; and March 15, 2012.<br />

_____. Works List: 1948-2007. Hawley, MA: Alice Parker Music Company, 2007.<br />

Pegg, Carole. "Folk music." Grove Music Online. Oxford Music Online. Accessed May 16, 2009<br />

and June 19, 2010.<br />

http://www.oxfordmusiconline.com/subscriber/article/grove/music/09933.<br />

Robinson, Ray. “Robert Shaw: A Tribute.” Choral Journal 39 (1999): 33, 83.<br />

Schisler, Charles. “Robert Shaw at Seventy: Tribute to a Titan,” Choral Journal 26 (1986): 15-<br />

20.<br />

Shaw, Robert. “Worship and the Arts,” The Robert Shaw Reader, Robert Blocker, ed. New<br />

Haven: Yale University Press, 2004.<br />

Swan, Howard. “The Development of a Choral Instrument: Schools of Choral Singing in<br />

America,” Harold A. Decker and Julius Herford, ed., Choral Conducting: A Symposium.<br />

Englewood Cliffs, NJ: Prentice-Hall, 1973.<br />

72

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