THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ... THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
music of high quality, to be faithful to the spirit of the melody and text, and to entertain the listener. The variety of the catalogue is great: among these choral arrangements emotional expression ranges from the dark, serious, and mystical to the joyous, lighthearted, and downright fun. It is no wonder that the Parker-Shaw arrangements have remained a staple in the choral libraries of schools, churches, and colleges for over half a century. 70
BIBLIOGRAPHY Baxter, Jeffrey W. “An Interview with Robert Shaw: Reflections at Eighty.” Choral Journal 36 (1996): 9-13. _____. “Robert Shaw: 1916-1999.” The New Georgia Encyclopedia. Accessed April 21, 2009. http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-1675. Bayles, Martha. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music. Chicago: The University of Chicago Press, 1994. Belan, William Wells. “Recording, Touring, and Publishing – Yesterday and Today: An Interview with Walter Gould.” Choral Journal 36 (1996): 29-34. Burrichter, Ronald. Telephone interview with author, June 30, 2010. Drummond, Robert Paul. “A History of Music among Primitive Baptists Since 1800 (Folk- Hymns, Choral, White Spirituals, Sacred).” D.A. dissertation, University of Colorado, 1986. Fader, Don. Email communication with author, April 13, 2012. Forney, Kristine and Joseph Machlis. The Enjoyment of Music. New York and London: W.W. Norton & Co., 2008. Jones, Ann Howard. Telephone interview with author, July 15, 2010. Latta, John Arthur. “Alice Parker: Choral Composer, Arranger, and Teacher.” Ed. D. dissertation, University of Illinois at Urbana/Champagne, 1986. Long, Janice Elaine Miller. “Alice Parker: Analytical Notes on the Cantatas, an Annotated Catalogue, a Complete Works List, and a Biography.” DMA dissertation, College Conservatory of Music, University of Cincinatti, 1979. Mann, Alfred. “Shaw as Student of Musicology: Recollections.” Choral Journal 36 (1996): 21. Melodious Accord website. Accessed August 4, 2011. http://melodiousaccord.org/aliceparker/biography.htm. Morrow, Phillip Jeffrey. “The Influence of the Robert Shaw Chorale, the Roger Wagner Chorale, 71
- Page 29 and 30: he did…made the difference betwee
- Page 31 and 32: opposition to choral music that is
- Page 33 and 34: also from the fact that with men’
- Page 37 and 38: Death Shall Not Destroy 1960, Tune
- Page 39 and 40: progression is found in rock ‘n
- Page 42 and 43: Johnny Has Gone for a Soldier Chora
- Page 44: Excerpt 3: What Shall We Do with th
- Page 49 and 50: In mm. 69-81, homorhythm is broken
- Page 54 and 55: Seeing Nellie Home 1954, TTBB, Tune
- Page 56: Excerpt 5: I’m Goin’ to Sing 46
- Page 60 and 61: #17 A preference for modality over
- Page 63 and 64: Broad Is the Road 1960, Tune source
- Page 65 and 66: Recorded on album: Sing to the Lord
- Page 67 and 68: v.4 v.5 v.6 Phrases 3 & 4 T sings h
- Page 69 and 70: destination. Dr. Ann Howard Jones,
- Page 71 and 72: there is not one instance in the en
- Page 73 and 74: touches of imitation, etc. to lend
- Page 75 and 76: CHAPTER 5 LEGACY The Parker-Shaw wo
- Page 77 and 78: Though theirs were not arrangements
- Page 79: from gapped scales and modes, and t
- Page 83 and 84: APPENDIX I PARKER-SHAW WORKS CATALO
- Page 85 and 86: 16) Carol of the Birds, HL50304960
- Page 87 and 88: 87) Darling Nellie Gray, LG969 88)
- Page 89 and 90: 150) I Will Arise, LG905 151) Morni
- Page 91 and 92: UNRECORDED PARKER-SHAW ARRANGEMENTS
- Page 93 and 94: 6) Angels We Have Heard on High, Ch
- Page 95 and 96: 59) Fairest Lord Jesus, Choral Arr,
- Page 97 and 98: 108) La Tarara, Choral Arr, 1960, T
- Page 99 and 100: 158) Psalm 81. To God Our Strength,
- Page 101: 210) What Child Is This, Choral Arr
- Page 111 and 112: 101
- Page 113 and 114: 103
- Page 115 and 116: 105
- Page 117 and 118: 107
- Page 119 and 120: APPENDIX IV SUMMARIES OF DATA FROM
- Page 121 and 122: 11 arrangements use 3 or more diffe
- Page 123 and 124: Average number of verses set in eac
- Page 125 and 126: Number of arrangements using solois
- Page 127 and 128: o 2 major hexatonic (no LT in each)
- Page 129 and 130: APPENDIX VI COPIES OF ORIGINAL PARK
music of high quality, to be faithful to the spirit of the melody and text, and to entertain the<br />
listener. The variety of the catalogue is great: among these choral arrangements emotional<br />
expression ranges from the dark, serious, and mystical to the joyous, lighthearted, and downright<br />
fun. It is no wonder that the Parker-Shaw arrangements have remained a staple in the choral<br />
libraries of schools, churches, and colleges for over half a century.<br />
70
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