THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ... THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
ACKNOWLEDGEMENTS I wish to thank all who helped me grow through my experience at the University of Alabama: Dr. Ratledge, who improved my conducting gesture, broadened my knowledge of choral literature, and insisted on a high standard of excellence; Dr. Cummins, who instilled a love for research and for the Medieval and Renaissance periods; and Dr. Fader, who taught me how to love the music of Haydn and Mozart and served as chief advisor for this Document. I particularly want to thank Mr. Snead for his help, encouragement, and support. I also want to thank my good friends, Gaines Brake and Wade Griffith, for their counsel and support in Tuscaloosa. And most of all, I want to thank my wife, Karen, who went along on this great and crazy adventure after our children had left the nest. v
CONTENTS ABSTRACT ...........................................................................................................................ii DEDICATION .......................................................................................................................iv ACKNOWLEDGEMENTS ...................................................................................................v TABLE OF CONTENTS .......................................................................................................vi LIST OF TABLES AND CHARTS ......................................................................................viii LIST OF EXCERPTS AND EXAMPLES ............................................................................ix 1. INTRODUCTION .......................................................................................................1 2. AN OVERVIEW OF THE PARKER-SHAW CATALOGUE ...................................4 3. THE HISTORY OF THE COLLABORATION..........................................................7 a. Biography of Robert Shaw .........................................................................................7 b. Biography of Alice Parker .........................................................................................9 c. The Genesis of the Collaboration ...............................................................................10 d. Parker and Shaw’s Working Method .........................................................................11 e. Historical Context ......................................................................................................12 f. Shaw’s Perspective on the Parker-Shaw Arrangements .............................................15 4. THE NATURE OF THE PARKER-SHAW ARRANGEMENTS ..............................17 a. Nineteen Style Characteristics ...................................................................................18 b. Demonstrations of these Characteristics in the Repertoire ........................................23 c. Dr. Parker’s Song Analysis Method Applied to “Sing to the Lord” ..........................54 d. Spreadsheet Comparisons ..........................................................................................57 vi
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CONTENTS<br />
ABSTRACT ...........................................................................................................................ii<br />
DEDICATION .......................................................................................................................iv<br />
ACKNOWLEDGEMENTS ...................................................................................................v<br />
TABLE <strong>OF</strong> CONTENTS .......................................................................................................vi<br />
LIST <strong>OF</strong> TABLES <strong>AND</strong> CHARTS ......................................................................................viii<br />
LIST <strong>OF</strong> EXCERPTS <strong>AND</strong> EXAMPLES ............................................................................ix<br />
1. INTRODUCTION .......................................................................................................1<br />
2. AN OVERVIEW <strong>OF</strong> <strong>THE</strong> <strong>PARKER</strong>-SHAW CATALOGUE ...................................4<br />
3. <strong>THE</strong> HISTORY <strong>OF</strong> <strong>THE</strong> COLLABORATION..........................................................7<br />
a. Biography of Robert Shaw .........................................................................................7<br />
b. Biography of Alice Parker .........................................................................................9<br />
c. The Genesis of the Collaboration ...............................................................................10<br />
d. Parker and Shaw’s Working Method .........................................................................11<br />
e. Historical Context ......................................................................................................12<br />
f. Shaw’s Perspective on the Parker-Shaw Arrangements .............................................15<br />
4. <strong>THE</strong> NATURE <strong>OF</strong> <strong>THE</strong> <strong>PARKER</strong>-SHAW <strong>ARRANGEMENTS</strong> ..............................17<br />
a. Nineteen Style Characteristics ...................................................................................18<br />
b. Demonstrations of these Characteristics in the Repertoire ........................................23<br />
c. Dr. Parker’s Song Analysis Method Applied to “Sing to the Lord” ..........................54<br />
d. Spreadsheet Comparisons ..........................................................................................57<br />
vi