THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ... THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
from acumen.lib.ua.edu
More from this publisher
15.08.2013
Views
Excerpt 1: Death Shall Not Destroy 24
- Page 1 and 2: THE COLLABORATIVE ARRANGEMENTS OF A
- Page 3 and 4: ABSTRACT This document is a compreh
- Page 5 and 6: DEDICATION This Document is dedicat
- Page 7 and 8: CONTENTS ABSTRACT .................
- Page 9 and 10: LIST OF TABLES AND CHARTS Table 1:
- Page 11 and 12: CHAPTER 1 INTRODUCTION Alice Parker
- Page 13 and 14: Chapter 5 discusses the legacy of t
- Page 15 and 16: standard classical choral repertoir
- Page 17 and 18: Biography of Robert Shaw CHAPTER 3
- Page 19 and 20: Theodore Thomas Award in recognitio
- Page 21 and 22: melodies and texts in the public do
- Page 23 and 24: was popular in radio and television
- Page 25 and 26: Shaw’s perspective on the legacy
- Page 27 and 28: CHAPTER 4 THE NATURE OF THE PARKER-
- Page 29 and 30: he did…made the difference betwee
- Page 31 and 32: opposition to choral music that is
- Page 33: also from the fact that with men’
- Page 38 and 39: open 4ths and 5ths, chord fragments
- Page 40: Excerpt 2: Johnny Has Gone for a So
- Page 43 and 44: #15 Frequent use of imitation In m.
- Page 48 and 49: What Shall We Do with the Drunken S
- Page 50: Excerpt 4: Seeing Nellie Home 40
- Page 55 and 56: The basses hold a pedal point at mm
- Page 59 and 60: I’m Goin’ to Sing 1963, Tune so
- Page 61: Excerpt 6: Broad Is the Road 51
- Page 64 and 65: The melody of “Broad Is the Road
- Page 66 and 67: Range of melody is a 10th; bottom n
- Page 68 and 69: Chart 5: Categories for Comparison
- Page 70 and 71: Example 1: Opening page of Eric Whi
- Page 72 and 73: Parker finds even greater freedom w
- Page 74 and 75: A third observation is that in all
- Page 76 and 77: quality performance within their ab
- Page 78 and 79: ungraven images and boundless myste
- Page 80 and 81: music of high quality, to be faithf
- Page 82 and 83: and the Gregg Smith Singers on the
Excerpt 1: Death Shall Not Destroy<br />
24
Change language