- Page 1 and 2:
THE COLLABORATIVE ARRANGEMENTS OF A
- Page 3 and 4:
ABSTRACT This document is a compreh
- Page 5 and 6:
DEDICATION This Document is dedicat
- Page 7 and 8:
CONTENTS ABSTRACT .................
- Page 9 and 10:
LIST OF TABLES AND CHARTS Table 1:
- Page 11 and 12:
CHAPTER 1 INTRODUCTION Alice Parker
- Page 13 and 14:
Chapter 5 discusses the legacy of t
- Page 15 and 16:
standard classical choral repertoir
- Page 17 and 18:
Biography of Robert Shaw CHAPTER 3
- Page 19 and 20:
Theodore Thomas Award in recognitio
- Page 21 and 22:
melodies and texts in the public do
- Page 23 and 24:
was popular in radio and television
- Page 25 and 26:
Shaw’s perspective on the legacy
- Page 27 and 28:
CHAPTER 4 THE NATURE OF THE PARKER-
- Page 29 and 30:
he did…made the difference betwee
- Page 31 and 32:
opposition to choral music that is
- Page 33 and 34:
also from the fact that with men’
- Page 37 and 38:
Death Shall Not Destroy 1960, Tune
- Page 39 and 40:
progression is found in rock ‘n
- Page 42 and 43:
Johnny Has Gone for a Soldier Chora
- Page 44:
Excerpt 3: What Shall We Do with th
- Page 49 and 50:
In mm. 69-81, homorhythm is broken
- Page 54 and 55:
Seeing Nellie Home 1954, TTBB, Tune
- Page 56:
Excerpt 5: I’m Goin’ to Sing 46
- Page 60 and 61:
#17 A preference for modality over
- Page 63 and 64:
Broad Is the Road 1960, Tune source
- Page 65 and 66:
Recorded on album: Sing to the Lord
- Page 67 and 68:
v.4 v.5 v.6 Phrases 3 & 4 T sings h
- Page 69 and 70:
destination. Dr. Ann Howard Jones,
- Page 71 and 72:
there is not one instance in the en
- Page 73 and 74:
touches of imitation, etc. to lend
- Page 75 and 76:
CHAPTER 5 LEGACY The Parker-Shaw wo
- Page 77 and 78:
Though theirs were not arrangements
- Page 79 and 80: from gapped scales and modes, and t
- Page 81 and 82: BIBLIOGRAPHY Baxter, Jeffrey W. “
- Page 83 and 84: APPENDIX I PARKER-SHAW WORKS CATALO
- Page 85 and 86: 16) Carol of the Birds, HL50304960
- Page 87 and 88: 87) Darling Nellie Gray, LG969 88)
- Page 89 and 90: 150) I Will Arise, LG905 151) Morni
- Page 91 and 92: UNRECORDED PARKER-SHAW ARRANGEMENTS
- Page 93 and 94: 6) Angels We Have Heard on High, Ch
- Page 95 and 96: 59) Fairest Lord Jesus, Choral Arr,
- Page 97 and 98: 108) La Tarara, Choral Arr, 1960, T
- Page 99 and 100: 158) Psalm 81. To God Our Strength,
- Page 101: 210) What Child Is This, Choral Arr
- Page 111 and 112: 101
- Page 113 and 114: 103
- Page 115 and 116: 105
- Page 117 and 118: 107
- Page 119 and 120: APPENDIX IV SUMMARIES OF DATA FROM
- Page 121 and 122: 11 arrangements use 3 or more diffe
- Page 123 and 124: Average number of verses set in eac
- Page 125 and 126: Number of arrangements using solois
- Page 127 and 128: o 2 major hexatonic (no LT in each)
- Page 129: APPENDIX VI COPIES OF ORIGINAL PARK
- Page 133 and 134: 123
- Page 135: 125