THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Average number of verses set in each arrangement: 3<br />
Average number of measures in each arrangement: 73.1<br />
Number of songs sung in a language other than English: None<br />
7 arrangements use 3 or more different voicings (unis, 2-pt, 2-pt ST/AB, 3-pt, 3-pt SSA or SAA,<br />
3-pt TTB or TBB, 4-pt, 4-pt TTBB, etc.): (78%)<br />
2 arrangements include at least moderate use of imitation techniques (22%)<br />
4 arrangements include at least moderate use pedal points or ostinatos (44%)<br />
6 arrangements employ at least moderate use of sharp contrasts in dynamics or articulation:<br />
(67%)<br />
Early American folk hymns summary<br />
22 arrangements reviewed<br />
Modes/scales of the 22 melodies:<br />
o 7 Aeoloan<br />
o 6 Pentatonic<br />
o 2 Aeolian pentatonic<br />
o 2 major hexatonic<br />
1 with no 4<br />
1 with no 7<br />
o 1 Dorian pentatonic<br />
o I Dorian<br />
o 1 Dorian hexatonic (no 7)<br />
o 1 Aeolian hexatonic (no 6)<br />
o 1 Dorian and Aeolian (lowered and raised 6 both in melody)<br />
Most used modes:<br />
o E Aeolian: 4 (3 of these are “stark” pieces)<br />
o A Aeolian: 2 (both are “minor haunting”)<br />
o F Pentatonic: 2<br />
Performing forces:<br />
o 11 SATB<br />
o 2 SATBB<br />
o 1 SAATB<br />
o 2 SSATBB<br />
o 2 SAATBB<br />
o 3 SAATBB<br />
o 1 SSATBB<br />
o 1 SSATTBB<br />
o 2 SAATTBB<br />
Number of arrangements using soloists: 4 (1 sop, 2 ten, 1 bar)<br />
Average number of verses set in each arrangement: 3.18<br />
Average number of measures in each arrangement: 59.7<br />
16 arrangements use 3 or more different voicings (unis, 2-pt, 2-pt ST/AB, 3-pt, 3-pt SSA or SAA,<br />
3-pt TTB or TBB, 4-pt, 4-pt TTBB, etc.): (73%)<br />
12 arrangements include at least moderate use of imitation techniques (55%)<br />
14 arrangements include at least moderate use pedal points or ostinatos (64%)<br />
17 arrangements employ at least moderate use of sharp contrasts in dynamics or articulation:<br />
(77%)<br />
General moods of arrangements:<br />
o 6 “hearty”<br />
o 6 “stark”<br />
113