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74 W o r l d w i d e 4k+ Publications honored by SmPTE Dr. Hans kiening receives Journal Award Extensive research in all related fields of the industry is one of the finest tasks when designing new products. For almost sixteen years Hans Kiening is now active in groundbreaking research at ARRI. One of his tasks was to take a deeper look into the aspects of image resolution, and how this transfers throughout the entire production chain – from the acquisition with different systems An ARRICAm for HFF munich Film Academy invests in ARRICAm “We continue to regard 35mm and 16mm film as an essential, indispensable format for training and educating potential camera creatives, directors and producers. For this reason we have invested in an ARRICAM. Moreover, we are going to install a full digital film processing pipeline for 16mm/35mm in 2K with an ARRISCAN in our new building, which we plan to move into 2011. and formats through the digital realm to the final projection in cinemas. In 2007 he started publishing his results, cleaning up with some of the myths involved, and developing valid standards for comparison purposes. His series of articles was continued until 2009, when the Society of Motion Picture and Television Engineers honored him with the prestigious SMPTE Journal Award. Established at the beginning of this year under the responsibility of Thilo Gottschling, the new restoration and archiving department is targeting the emerging market of moving image preservation using both photochemical and digital techniques. Based on the whole range of the ARRISCAN archive options and the market-leading soft- Dr. Hans Kiening (2 nd row, 3 rd from left) with SMPTE Award winners in 2009 New Archive and Restoration Department at ARRI Film & TV Services Also, HFF (Munich Film Academy) will, of course, offer different digital recording systems to provide students with the full and complete spectrum of recording media. Professor Michael Ballhaus, designated head of the new camera VII sector, already had the opportunity to use the ARRICAM during this year`s camera seminar.” Professor Peter C. Slansky, HFF (Hochschule für Fernsehen und Film), Munich ware tools ARRI Film & TV Services has been handling digital restoration projects for years, increased demand has led to the setting up of this dedicated department. Recently the wet gate scanning and digital restoration of 70 minutes of a hundred year old footage for a documentary about novelist Leo Tolstoy started. Professor Slansky (right) and Philip Vischer (ARRI)
ARRI RENTAL GERMANY ARRI CSC ARRI MEDIA ARRI LIGHTING RENTAL Title Production Company Director DoP Equipment ZIMMER 205 Neue Schönhauser Film Rainer Matsutani Jan Fehse ARRICAM ST/LT, 2-Perforation, Master Primes, Lighting, Grip UNKNOWN WHITE MALE Zwölfte Babelsberg Film Jaume Collet-Serra Flavio Martinez Labiano ARRICAM ST/LT, 3-Perforation, ARRIFLEX 235, Lighting, Grip DAS BLAUE VOM HIMMEL d.i.e. film Hans Steinbichler Bella Halben ARRICAM LT, 3-Perforation, Master Primes, Lighting, Grip THE SOLITUDE OF PRIME NUMBERS Bavaria Pictures Saverio Costanzo Fabio Cianchetti ARRICAM ST/LT, 2-Perforation, ARRIFLEX 235 THE APPARITION Fünfzehnte Babelsberg Film Todd Lincoln Daniel Pearl Lighting, Grip EMILIE RICHARDS Polyphon International Michael Keusch Stefan Spreer ARRIFLEX 416, Ultra Primes BLOODRAYNE 3 Boll AG Uwe Boll Mathias Neumann ARRICAM LT, 3-Perforation, Master Primes, Lighting DIE LIEBE KOMMT MIT DEM CHRISTKIND (AT) Mona Film Peter Sämann Claus Peter Hildenbrand ARRIFLEX 416, Ultra Primes WIE MAN LEBEN SOLL DOR Film David Schalko Marcus Kanter ARRIFLEX D-21 Title Production Company DP / Lighting Director Gaffer Equipment Supplied WHY DID I GET MARRIED TOO A O Productions I, Inc. (Tyler Perry) Toyomichi Kurita ARRICAM ST & LT 3-Perforation ARRI CSC FL BLACK SWAN Lake of Tears Matthew Libatique, ASC ARRIFLEX 416, 16SR3 HS (S) ARRI CSC NJ THE CONVINCER Cinemechanics, Inc. Dick Pope, BSC ARRICAM ST & LT, (S, 3-Perforation) ARRI CSC NJ LIGHTS OUT TMV Productions Richard Rutkowski Phil Testa Lighting & Grip ARRI CSC NJ CRITICS CHOICE AWARDS Bob Bain Productions Tom Kenny Conventional & Automated Lighting Illumination Dynamics THE BACHELOR 14 AND Syndicated Oscar Dominguez Conventional & Automated Lighting Illumination Dynamics WARREN THE APE MTV Peter Smokler John Tanzer Lighting Illumination Dynamics MILLER LITE COMMERCIAL H.S.I. Irv Blitz Miles Watanabe Lighting & Grip Illumination Dynamics GOSSIP GIRL Gossip Girl WBTV Ron Fortunato, ASC Tom Percarpio Lighting & Grip ARRI CSC NJ MERCY Open For Business Frank Prinzi, ASC Gene Engels Lighting & Grip ARRI CSC NJ Title Production Company Director DoP Equipment WHITECHAPEL (SERIES 2) Carnival Film & Television David Evans David Odd BSC ARRIFLEX D-21 BOUQUET OF BARBED WIRE Mammoth Screen Ashley Pearce Mike Spragg ARRIFLEX D-21 THE EAGLE OF THE NINTH Belmont Productions Kevin Macdonald Anthony Dod Mantle BSC, DFF ARRICAM LT 3-Perforation, Grip THE NUBAN PROJECT Nuban Productions Gabriel Range Robbie Ryan ARRICAM ST, ARRICAM LT, ARRIFLEX 235 2-Perforation AFRICA UNITED Film Africa Debs Gardner-Paterson Sean Bobbitt BSC ARRICAM LT 2-Perforation KILLING BONO Cinema Three SPV 3 Nick Hamm Kieran McGuigan ARRICAM ST, ARRICAM LT, ARRIFLEX 235 2-Perforation ALBATROSS CinemaNX Niall MacCormick Jan Jonaeus ARRIFLEX D-21, Ultra Primes LUTHER BBC Various Julian Court / Tim Fleming ARRIFLEX D-21 LAW & ORDER: UK (SERIES 2) Kudos Film and Television Various David Luther ARRIFLEX D-21, Ultra Primes ASHES TO ASHES (SERIES 3) Kudos Film and Television Various Adam Suschitzky / Simon Archer / Balazs Bolygo ARRIFLEX D-21, Grip TAMARA DREWE Ruby Films Stephen Frears Ben Davis BSC ARRICAM ST & LT 3-Perforation, Grip THE SPECIAL RELATIONSHIP Trilogy Films Richard Loncraine Barry Ackroyd BSC ARRICAM LT 3-Perforation Title Production Company Director DoP Gaffer Best Boy SEX AND THE CITY 2 Avery Pix, inc. Michael Patrick King John Thomas John Velez Ryan Rodriguez GULLIVER TRAVEL'S Fox UK productions Rob Letterman David Tattersall BSC Eddie Knight Stewart Monteith LAW AND ORDER: UK (SERIES 2) Kudos Film and Television James Strong David Luther Mark Clayton Benny Harper ASHES TO ASHES (SERIES 3) Kudos Film and Television David Drury Bolazs Bolygo Chris Bird Tony Flesher LUTHER BBC Stefan Schwartz Julian Court Brandon Evans Colin Powton BEL AMI Bel Ami Productions Limited Declan Donnellan / Hagen Bogdanski John Colley Vince Madden / Andy Cole Nick Omerod KILLING BONO Cinema Three SPV 3 Ltd. Nick Hamm Kieran McGuigan Brian Livingstone Carlo McDonnell WHITE CHAPEL 2 Carnival Film & Television David Evans David Odd Alex Scott Rob Osbourne YOUNG, UNEMPLOYED AND LAZY Big Talk Productions Richard Laxton Richard Mott Shawn White Tony Hannington ATTACK OF THE BLOCK Big Talk Productions Joe Cornish Tom Townend Julian White Matt Wilson W o r l d w i d e 7 5
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Page 33 and 34: photo Dean Morin it turned out that
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Page 43 and 44: ©A.M.P.A.S.® photo: Danny Molosho
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Page 47 and 48: an ARRISCAN rather than run through
Page 49 and 50: Current Productions Numerous restor
Page 51 and 52: Focus on Company 3 File-based Workf
Page 53 and 54: iPAX The ARRI PAX LED Kit with True
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Page 59 and 60: ARRImAX in China Illuminating the g
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Page 63 and 64: Under the guidance of DoP Gernot Ro
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Page 69 and 70: HoRIZoNS Stephan is to analyse the
Page 71 and 72: ARRI way both analogue and digital
Page 73: That same year Volker was named Pre
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