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4k+ Publications honored by SmPTE
Dr. Hans kiening receives Journal Award
Extensive research in all related fields of
the industry is one of the finest tasks when
designing new products. For almost sixteen
years Hans Kiening is now active in groundbreaking
research at ARRI. One of his tasks
was to take a deeper look into the aspects
of image resolution, and how this transfers
throughout the entire production chain –
from the acquisition with different systems
An ARRICAm for HFF
munich Film Academy invests in ARRICAm
“We continue to regard 35mm and 16mm
film as an essential, indispensable format
for training and educating potential camera
creatives, directors and producers. For
this reason we have invested in an ARRICAM.
Moreover, we are going to install a full digital
film processing pipeline for 16mm/35mm
in 2K with an ARRISCAN in our new building,
which we plan to move into 2011.
and formats through the digital realm to the
final projection in cinemas. In 2007 he
started publishing his results, cleaning up
with some of the myths involved, and developing
valid standards for comparison purposes.
His series of articles was continued
until 2009, when the Society of Motion Picture
and Television Engineers honored him with
the prestigious SMPTE Journal Award.
Established at the beginning of this year under
the responsibility of Thilo Gottschling, the
new restoration and archiving department
is targeting the emerging market of moving
image preservation using both photochemical
and digital techniques.
Based on the whole range of the ARRISCAN
archive options and the market-leading soft-
Dr. Hans Kiening (2 nd row, 3 rd from left)
with SMPTE Award winners in 2009
New Archive and Restoration
Department at ARRI Film & TV Services
Also, HFF (Munich Film Academy) will, of
course, offer different digital recording systems
to provide students with the full and
complete spectrum of recording media. Professor
Michael Ballhaus, designated head
of the new camera VII sector, already had
the opportunity to use the ARRICAM during
this year`s camera seminar.”
Professor Peter C. Slansky, HFF
(Hochschule für Fernsehen und Film), Munich
ware tools ARRI Film & TV Services has been
handling digital restoration projects for years,
increased demand has led to the setting up of
this dedicated department. Recently the wet
gate scanning and digital restoration of 70
minutes of a hundred year old footage for
a documentary about novelist Leo Tolstoy
started.
Professor Slansky (right)
and Philip Vischer (ARRI)