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6 4 W o r l d w i d e<br />
(f.l.t.r.) Renos Louka, Hans Salzinger, Shubham Kasera<br />
Presenting the award was Renos Louka,<br />
Group Managing Director of ARRI (UK).<br />
“We work hard to support up-and-coming<br />
filmmakers at ARRI, so the strong focus on<br />
students at Pune mirrors our own philosophy<br />
perfectly,” says Louka. “It is important to<br />
celebrate those whose careers are just<br />
beginning, as well as those who lead the<br />
industry. Shubham will be among the first<br />
to use ARRI’s new-generation digital camera,<br />
reflecting our belief that in order to develop<br />
as filmmakers, students must have access<br />
to the latest professional tools.”<br />
For the 8 th Pune International Film Festival in January 2010, ARRI<br />
sponsored a new award in the student competition – the ARRI Promising<br />
Student Cinematographer Award. In conjunction with Whistling Woods<br />
International – Asia’s largest film, television, animation and media arts<br />
institute – ARRI presented the inaugural award to cinematographer<br />
Shubham Kasera for his work on the short film MAI. His prize will be the<br />
exclusive use of an ARRI ALEXA digital motion picture camera and a full<br />
set of lenses for 150 days over a two-year period.<br />
Student filmmaker wins<br />
a date with ALEXA<br />
Kasera studied at St. Xavier’s college in<br />
Calcutta and worked in advertising as well<br />
as documentary editing before enrolling at<br />
Whistling Woods on a two-year cinematography<br />
course in 2007. “The subject of M AI<br />
really interested me because it had a lot of<br />
scope to try various stocks and lighting<br />
techniques,” he says. “The film is about the<br />
mother-son bond and the sorrow of separation<br />
– once in the past, when the mother<br />
leaves her son to pursue her career, and<br />
Shubham Kasera<br />
then in the present, when she passes away. So<br />
I had the opportunity to create two different<br />
looks, rather than just one, which meant I was<br />
able to experiment. For the past I went for a<br />
slightly grainy look and shot with an older<br />
Kodak stock – the 5279 500T. The past was<br />
given a slight yellowish tint and a bluish tint<br />
was given to the present-day scenes, many<br />
of which take place in a hospital.”<br />
When asked how he intends to use his prize,<br />
Kasera reveals that he has plenty of ideas<br />
and ambition. “We’re scripting a couple of<br />
feature film concepts, so our goal is to shoot<br />
a full feature in the time we have with the<br />
ALEXA,” he says. “Having the camera is<br />
going to be very helpful for raising additional<br />
finance because it shows that we already<br />
have ARRI supporting the project.”<br />
Ravi Gupta, Executive Director of Whistling<br />
Woods International, states: “Whistling<br />
Woods welcomes ARRI as its partner in the<br />
Student Film Competition. We are proud to<br />
be associated with ARRI in their quest of<br />
providing high quality, high definition<br />
cameras to the filmmaking world and hope<br />
that Shubham enjoys the benefits of the<br />
highly advanced ARRI camera to the fullest.”<br />
Mark Hope-Jones