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6 4 W o r l d w i d e<br />

(f.l.t.r.) Renos Louka, Hans Salzinger, Shubham Kasera<br />

Presenting the award was Renos Louka,<br />

Group Managing Director of ARRI (UK).<br />

“We work hard to support up-and-coming<br />

filmmakers at ARRI, so the strong focus on<br />

students at Pune mirrors our own philosophy<br />

perfectly,” says Louka. “It is important to<br />

celebrate those whose careers are just<br />

beginning, as well as those who lead the<br />

industry. Shubham will be among the first<br />

to use ARRI’s new-generation digital camera,<br />

reflecting our belief that in order to develop<br />

as filmmakers, students must have access<br />

to the latest professional tools.”<br />

For the 8 th Pune International Film Festival in January 2010, ARRI<br />

sponsored a new award in the student competition – the ARRI Promising<br />

Student Cinematographer Award. In conjunction with Whistling Woods<br />

International – Asia’s largest film, television, animation and media arts<br />

institute – ARRI presented the inaugural award to cinematographer<br />

Shubham Kasera for his work on the short film MAI. His prize will be the<br />

exclusive use of an ARRI ALEXA digital motion picture camera and a full<br />

set of lenses for 150 days over a two-year period.<br />

Student filmmaker wins<br />

a date with ALEXA<br />

Kasera studied at St. Xavier’s college in<br />

Calcutta and worked in advertising as well<br />

as documentary editing before enrolling at<br />

Whistling Woods on a two-year cinematography<br />

course in 2007. “The subject of M AI<br />

really interested me because it had a lot of<br />

scope to try various stocks and lighting<br />

techniques,” he says. “The film is about the<br />

mother-son bond and the sorrow of separation<br />

– once in the past, when the mother<br />

leaves her son to pursue her career, and<br />

Shubham Kasera<br />

then in the present, when she passes away. So<br />

I had the opportunity to create two different<br />

looks, rather than just one, which meant I was<br />

able to experiment. For the past I went for a<br />

slightly grainy look and shot with an older<br />

Kodak stock – the 5279 500T. The past was<br />

given a slight yellowish tint and a bluish tint<br />

was given to the present-day scenes, many<br />

of which take place in a hospital.”<br />

When asked how he intends to use his prize,<br />

Kasera reveals that he has plenty of ideas<br />

and ambition. “We’re scripting a couple of<br />

feature film concepts, so our goal is to shoot<br />

a full feature in the time we have with the<br />

ALEXA,” he says. “Having the camera is<br />

going to be very helpful for raising additional<br />

finance because it shows that we already<br />

have ARRI supporting the project.”<br />

Ravi Gupta, Executive Director of Whistling<br />

Woods International, states: “Whistling<br />

Woods welcomes ARRI as its partner in the<br />

Student Film Competition. We are proud to<br />

be associated with ARRI in their quest of<br />

providing high quality, high definition<br />

cameras to the filmmaking world and hope<br />

that Shubham enjoys the benefits of the<br />

highly advanced ARRI camera to the fullest.”<br />

Mark Hope-Jones

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