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6 2 W o r l d w i d e<br />
Digital Production Workshop at<br />
the Beijing Film Academy<br />
Following the successful lighting<br />
workshop at the Beijing Film<br />
Academy (BFA) in 2008, ARRI<br />
presented another well received<br />
two-day workshop at end of 2009<br />
on one of the most discussed items<br />
in the industry: the digital production<br />
workflow. Participants from the<br />
Beijing Film Academy and the China<br />
University of Communication not only<br />
had the chance to get their own<br />
hands-on experience of the latest<br />
technology, but also to learn from<br />
masters in the industry.<br />
Professor Mu Deyuan<br />
If one picture is worth a thousand words,<br />
then what is a film worth? In order to fully<br />
experience the incredible power of state-ofthe-art<br />
technology, showreels were presented<br />
shot with the Master Macro on an ARRIFLEX<br />
D-21 and also on the next digital camera<br />
generation ALEXA. The workshop’s participants<br />
were actually stunned by the breathtaking<br />
beauty of these images. The Master<br />
Macro is the product of a joint effort of ARRI<br />
and ZEISS that delivers phenomenally sharp<br />
and contrasty images with vibrant colours<br />
for extreme close-ups of the highest visual<br />
quality.<br />
On the first day of the workshop, Dr. Scherle,<br />
Vice President of ZEISS, and Nicola Balle,<br />
Marketing Manager shared insights into the<br />
inspiring history of ZEISS and the sophisticated<br />
lens technology; ARRI Digital Manager<br />
Alexander Vollstädt continued with an<br />
in-depth presentation on digital production<br />
workflows.<br />
The following day a special workshop was<br />
held for professors and students at the BFA.<br />
Dr. Scherle (right) and Pearl Guo<br />
The Academy plans to set up a new course<br />
for video engineers, to keep up with the<br />
fast development of digital production.<br />
Alexander Vollstädt shared his experience<br />
in feature film production using the ARRIFLEX<br />
D-21 in the US and Germany. A wide<br />
range of topics, such as recorder formats,<br />
camera settings, the necessary equipment<br />
on location and for post-production were<br />
discussed – all being part of the knowledge<br />
a future video engineer must be deeply<br />
familiar with. “The workshop was a great<br />
bonus for BFA professionals and students,”<br />
as Professor Mu Deyuan, Dean of the<br />
Cinematography Department of BFA,<br />
remarks.<br />
ARRI is especially grateful for the support<br />
of the Beijing Film Academy and Jebsen as<br />
the long time partner and local distributor<br />
which helped to make the two-day workshop<br />
such a success.<br />
Pearl Guo / Jessica Choy