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6 2 W o r l d w i d e<br />

Digital Production Workshop at<br />

the Beijing Film Academy<br />

Following the successful lighting<br />

workshop at the Beijing Film<br />

Academy (BFA) in 2008, ARRI<br />

presented another well received<br />

two-day workshop at end of 2009<br />

on one of the most discussed items<br />

in the industry: the digital production<br />

workflow. Participants from the<br />

Beijing Film Academy and the China<br />

University of Communication not only<br />

had the chance to get their own<br />

hands-on experience of the latest<br />

technology, but also to learn from<br />

masters in the industry.<br />

Professor Mu Deyuan<br />

If one picture is worth a thousand words,<br />

then what is a film worth? In order to fully<br />

experience the incredible power of state-ofthe-art<br />

technology, showreels were presented<br />

shot with the Master Macro on an ARRIFLEX<br />

D-21 and also on the next digital camera<br />

generation ALEXA. The workshop’s participants<br />

were actually stunned by the breathtaking<br />

beauty of these images. The Master<br />

Macro is the product of a joint effort of ARRI<br />

and ZEISS that delivers phenomenally sharp<br />

and contrasty images with vibrant colours<br />

for extreme close-ups of the highest visual<br />

quality.<br />

On the first day of the workshop, Dr. Scherle,<br />

Vice President of ZEISS, and Nicola Balle,<br />

Marketing Manager shared insights into the<br />

inspiring history of ZEISS and the sophisticated<br />

lens technology; ARRI Digital Manager<br />

Alexander Vollstädt continued with an<br />

in-depth presentation on digital production<br />

workflows.<br />

The following day a special workshop was<br />

held for professors and students at the BFA.<br />

Dr. Scherle (right) and Pearl Guo<br />

The Academy plans to set up a new course<br />

for video engineers, to keep up with the<br />

fast development of digital production.<br />

Alexander Vollstädt shared his experience<br />

in feature film production using the ARRIFLEX<br />

D-21 in the US and Germany. A wide<br />

range of topics, such as recorder formats,<br />

camera settings, the necessary equipment<br />

on location and for post-production were<br />

discussed – all being part of the knowledge<br />

a future video engineer must be deeply<br />

familiar with. “The workshop was a great<br />

bonus for BFA professionals and students,”<br />

as Professor Mu Deyuan, Dean of the<br />

Cinematography Department of BFA,<br />

remarks.<br />

ARRI is especially grateful for the support<br />

of the Beijing Film Academy and Jebsen as<br />

the long time partner and local distributor<br />

which helped to make the two-day workshop<br />

such a success.<br />

Pearl Guo / Jessica Choy

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