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6 0 L i g h t i n g<br />

SAT. 1 TV Studio<br />

rbb Studio<br />

(f.l.t.r.) Norbert Wunderlich, Sigrid Müller, ARRI<br />

Lighting Solutions, Mr. Chen Fei, Mr. Cheng Yang<br />

(f.l.t.r.) Frank Schlammer, Pearl Guo, Cheng Yang, Norbert Wunderlich, Chen Fei, Sigrid Müller, Ma Ping (senior colorist),<br />

Liu Zhiping (senior engineer)<br />

The China Film Group Corporation (CFG) is China's largest and most influential state film<br />

production company. In October 2009 a delegation led by CTO, Mr. Chen Fei came to<br />

Germany to meet with the ARRI Managing Board Mr. Franz Kraus and Dr. Martin Prillmann in<br />

the Munich Headquarters, and continued their journey to Berlin to get a first hand impression<br />

of German TV studios equipped and technically designed by ARRI Lighting Solutions.<br />

China Film group<br />

visits Berlin TV Studios<br />

The group also included Mr. Cheng Yang,<br />

general manager of CFG Digital Cinema<br />

Line Co. Ltd., Mr. Ma Ping, a senior colourist<br />

of the China Film Huairou Studios, Mr. Liu<br />

Zhiping, a senior engineer of the China<br />

Film Huairou Studios and Pearl Guo, as an<br />

associate of ARRI Asia.<br />

The first stop in Berlin was at the rbb-studio<br />

that was equipped with a LED backlight<br />

system and a sophisticated ARRI-control<br />

system for the installed lighting by ARRI<br />

Lighting Solutions. The guests from China<br />

were impressed by the high efficiency of<br />

the automated studios and were particularly<br />

interested in the options to save all of the<br />

lights’ positions within the special control<br />

system and to be able to recall those basically<br />

by the push of a button.<br />

Next stop on the tour was the “TV Werft”<br />

(TV dockyard) at Stralauer Avenue and its<br />

specifically HD oriented lighting installation.<br />

Studio 3 hosts the “Morning Show” of SAT1<br />

TV Channel using a green-box system<br />

designed by ARRI. Since the Chinese Film<br />

Group currently plans on a similar system<br />

for their own shows, commercials and other<br />

film productions, this was of particular interest<br />

for the delegation. This highly flexible<br />

system is intended to replace the currently<br />

practiced setup in China, where lighting<br />

systems are usually not permanently installed.<br />

Norbert Wunderlich<br />

(f.l.t.r.) Pearl Guo, Chen Fei,<br />

Frank Schlammer, Sigrid Müller

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