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4 2 C a m e r a<br />

Wiggling<br />

with master Primes<br />

The New York Times called THE WIGGLES<br />

“The band that rocks the cradle!” and with<br />

over 23 million sales of their DVD’s they<br />

are a phenomenon. I’ve been THE WIGGLES<br />

Director of Photography for over fifteen<br />

years and just as they have evolved with<br />

their productions, I too have progressed. I<br />

started shooting the guys with SP betacam,<br />

moved to digital betacam and currently<br />

shoot High Definition. While I’m pleased to<br />

see the progress of various formats, it is<br />

(f.l.t.r.) Colin Lennon,<br />

Viv Scanu, Ben Zadig<br />

Close Focus on Red Apple<br />

Red Apple Camera Rentals in Sydney<br />

purchased the 100mm Master Macro from<br />

ARRI Australia in December last year. The<br />

company has now acquired all 15 Master<br />

Prime lenses, completing the set available<br />

from ARRI.<br />

“The 100mm Master Macro is an amazing<br />

lens, its quality surpasses that of any other<br />

macro lens in the market today,” says Viv<br />

Scanu, DoP and owner of Red Apple<br />

Camera Rentals. “It’s super sharp with<br />

beautiful focus drop off. The images are<br />

vibrant and contrasty, perfect for not only<br />

macro work but also conventional photography,<br />

I really love shooting with it.” The<br />

secondary to the glass that I put in front of<br />

the camera. Along with these formats, comes<br />

a progression of lenses I have used; from<br />

Standard Definition to High Definition and<br />

now 35mm Master Primes.<br />

The most recent WIGGLES production is<br />

DOROTHY THE DINOSAUR's third TV series,<br />

which I used the Master Primes on. THE<br />

WIGGLES Director, Paul Field said, “How<br />

can I go back to any other lenses after<br />

using the Master Primes? They’ve taken our<br />

production to a new level.” His view is<br />

shared by so many of my clients in the<br />

commercial and corporate world.<br />

After twenty-five years in this industry, I am<br />

finally able to use lenses that are incomparable.<br />

Working at T1.3 enables me to put<br />

the viewer’s eyes exactly where I want them,<br />

whether I shoot digital or film.<br />

100mm Master Macro has proven to be<br />

popular amongst Red Apple’s many lenses.<br />

It has been used on a number of table top<br />

shoots, some of which include high profile<br />

brands such as “McDonald’s” (DoP Danny<br />

Pope, ACS) and “Golden Circle”.<br />

Red Apple has an extensive range of ARRI<br />

film cameras and single sensor digital<br />

cameras, the 100mm Master Macro crosses<br />

paths seamlessly and is used on both<br />

formats, delivering breathtaking images.<br />

“We are now waiting for the next generation<br />

of ARRI digital cameras to be included in<br />

our inventory”, says Scanu, “we can’t wait.”<br />

Borće Damćevski wiggling<br />

with the Master Macro 100<br />

Borće Damćevski, DoP and<br />

owner of “8 Days A Week<br />

Productions” in Sydney and<br />

ARRI Australia have a vivid,<br />

long term relationship.<br />

In August 2009 Borće took<br />

delivery of his Master Prime<br />

set of eight lenses including<br />

the 100mm Master Macro,<br />

which he then completed by<br />

another Master Prime and a<br />

Lightweight Zoom LWZ-1 in<br />

November 2009.

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