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ARRI/ZEISS<br />
12<br />
master Prime<br />
A Technological Challenge<br />
Even five years ago, the creation of a 12mm<br />
lens at T1.3 with Master Prime optical quality<br />
would have been technologically impossible.<br />
However, recent advances in high tech optics<br />
design, testing and manufacturing have allowed<br />
ARRI and ZEISS to start thinking about new and<br />
innovative lens designs.<br />
One of the main contributors to achieving such<br />
a unique combination of qualities was the use<br />
of aspherical lens elements. Aspherical lens<br />
elements have been used for a while now in<br />
many ARRI/ZEISS primes because of their ability<br />
to reduce size and weight while improving<br />
image quality. After a number of optical redesigns<br />
it became clear that the Master Prime<br />
12 required two aspherical elements in order<br />
to reach the desired optical quality. Furthermore,<br />
the aspherical front element had to be<br />
of a size that exceeded anything incorporated<br />
into cine lenses before. Luckily, the creation of<br />
large aspherical lens elements is a technology<br />
that has been aggressively developed by ZEISS’s<br />
Semiconductor and Nanotechnology business<br />
units. With their assistance it was possible to<br />
create such a lens element and to develop the<br />
necessary special testing instrumentation. A new<br />
pinnacle in optical design and manufacturing<br />
has been reached with the Master Prime 12.<br />
The Master Prime 12 aspherical front element (left) in com -<br />
parison to the Ultra Prime 8R aspherical front element (right)<br />
while manufacturing.<br />
T E C H N I C A L D A T A<br />
ARRI/ZEISS Master Prime 12<br />
Type 11 Distagon T* XP<br />
Lens Mount 1 PL LDS<br />
Aperture T1.3 – T22<br />
Close Focus 2 0.40m / 16"<br />
Magnification Ratio 3 1:16.5<br />
Length 4 249mm / 9,8"<br />
Front Diameter 5 156mm / 6.1"<br />
Maximum Housing Diameter 156mm / 6.1"<br />
Weight (Kg) 2.9<br />
Weight (lb) 6.4<br />
Entrance Pupil 6 38.09mm<br />
Angle of view<br />
Normal 35 8<br />
ID = 27.20mm 7<br />
DIN Super 35 9<br />
ID = 30.00mm 7<br />
ANSI Super 35 10<br />
ID = 31.14mm 7<br />
Main Features<br />
• A One-of-a-Kind Lens<br />
– Extreme wide angle – 12mm<br />
– Straight image geometry – rectilinear<br />
design<br />
– Fast – T1.3<br />
• A One-of-a-Kind Look<br />
– Wide, straight and fast are a unique<br />
combination<br />
• A One-of-a-Kind Family<br />
– 15x Master Primes from 12 to 150mm<br />
– True T1.3<br />
– Matched optical quality<br />
– Color matched to Ultra 16, Ultra Primes,<br />
Lightweight Zoom LWZ-1, Master Diopters<br />
83.87° – 66.44° – 96.13°<br />
H – V – D<br />
88.85° – 72.70° – 101.97°<br />
H – V – D<br />
90.98° – 74.78° – 104.26°<br />
H – V – D<br />
Notes support post included<br />
Operation Temperature: -20°C to +40°C / -4°F to +104°F<br />
Storage/Transport Temperature: -40C to +70°C / -40°F to +158°F<br />
1. Positive locking (PL) 54 mm stainless steel lens mount with Lens Data System<br />
(LDS) contacts<br />
2. Close focus is measured from the film/sensor plane<br />
3. Magnification ratio is the relationship of the size of an object on film (first<br />
number) to the size of that object in real life (second number) at the close focus<br />
setting<br />
4. Length is measured from the lens mount to the front of the lens housing<br />
5. Diameter of the lens/matte box interface<br />
6. The distance from the entrance pupil to the film/sensor plane at focus = infinity.<br />
Positive numbers indicated an entrance pupil in front, negative numbers<br />
indicated an entrance pupil behind the film/sensor plane.<br />
The entrance pupil (often mistakenly called "nodal point") is the center of<br />
perspective; moving the camera/lens system around the center of the entrance<br />
pupil prevents parallax errors.<br />
While largerly irrelevant for live action, this measurement is important for<br />
special effects work.<br />
7. The image diameter (ID) is the diameter of the image circle needed for the<br />
respective format. These lenses are designed for the largest ID given here.<br />
8. Horizontal (H), vertical (V) and diagonal (D) angles of view for a Normal 35<br />
Academy camera aperture (aspect ratio 1.37:1, dimensions 22mm x 16mm /<br />
0.8661" x 0.6299")<br />
9. Horizontal (H), vertical (V) and diagonal (D) angles of view for a DIN Super 35<br />
Silent camera aperture (aspect ratio 1.33:1, dimensions 24mm x 18mm /<br />
0.944" x 0.7087")<br />
10. Horizontal (H), vertical (V) and diagonal (D) angles of view for an ANSI Super<br />
35 Silent camera aperture (aspect ratio 1.33:1, dimensions 24.9mm x 18.7mm<br />
/ 0.980" x 0.7362")<br />
11. T* XP is the trademark for the high end Zeiss anti-reflex lens coating that<br />
reduces veiling glare and other reflections. XP stands for extended performance.<br />
All data subject to change without notice.<br />
C a m e r a<br />
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