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ARRI/ZEISS<br />

12<br />

master Prime<br />

A Technological Challenge<br />

Even five years ago, the creation of a 12mm<br />

lens at T1.3 with Master Prime optical quality<br />

would have been technologically impossible.<br />

However, recent advances in high tech optics<br />

design, testing and manufacturing have allowed<br />

ARRI and ZEISS to start thinking about new and<br />

innovative lens designs.<br />

One of the main contributors to achieving such<br />

a unique combination of qualities was the use<br />

of aspherical lens elements. Aspherical lens<br />

elements have been used for a while now in<br />

many ARRI/ZEISS primes because of their ability<br />

to reduce size and weight while improving<br />

image quality. After a number of optical redesigns<br />

it became clear that the Master Prime<br />

12 required two aspherical elements in order<br />

to reach the desired optical quality. Furthermore,<br />

the aspherical front element had to be<br />

of a size that exceeded anything incorporated<br />

into cine lenses before. Luckily, the creation of<br />

large aspherical lens elements is a technology<br />

that has been aggressively developed by ZEISS’s<br />

Semiconductor and Nanotechnology business<br />

units. With their assistance it was possible to<br />

create such a lens element and to develop the<br />

necessary special testing instrumentation. A new<br />

pinnacle in optical design and manufacturing<br />

has been reached with the Master Prime 12.<br />

The Master Prime 12 aspherical front element (left) in com -<br />

parison to the Ultra Prime 8R aspherical front element (right)<br />

while manufacturing.<br />

T E C H N I C A L D A T A<br />

ARRI/ZEISS Master Prime 12<br />

Type 11 Distagon T* XP<br />

Lens Mount 1 PL LDS<br />

Aperture T1.3 – T22<br />

Close Focus 2 0.40m / 16"<br />

Magnification Ratio 3 1:16.5<br />

Length 4 249mm / 9,8"<br />

Front Diameter 5 156mm / 6.1"<br />

Maximum Housing Diameter 156mm / 6.1"<br />

Weight (Kg) 2.9<br />

Weight (lb) 6.4<br />

Entrance Pupil 6 38.09mm<br />

Angle of view<br />

Normal 35 8<br />

ID = 27.20mm 7<br />

DIN Super 35 9<br />

ID = 30.00mm 7<br />

ANSI Super 35 10<br />

ID = 31.14mm 7<br />

Main Features<br />

• A One-of-a-Kind Lens<br />

– Extreme wide angle – 12mm<br />

– Straight image geometry – rectilinear<br />

design<br />

– Fast – T1.3<br />

• A One-of-a-Kind Look<br />

– Wide, straight and fast are a unique<br />

combination<br />

• A One-of-a-Kind Family<br />

– 15x Master Primes from 12 to 150mm<br />

– True T1.3<br />

– Matched optical quality<br />

– Color matched to Ultra 16, Ultra Primes,<br />

Lightweight Zoom LWZ-1, Master Diopters<br />

83.87° – 66.44° – 96.13°<br />

H – V – D<br />

88.85° – 72.70° – 101.97°<br />

H – V – D<br />

90.98° – 74.78° – 104.26°<br />

H – V – D<br />

Notes support post included<br />

Operation Temperature: -20°C to +40°C / -4°F to +104°F<br />

Storage/Transport Temperature: -40C to +70°C / -40°F to +158°F<br />

1. Positive locking (PL) 54 mm stainless steel lens mount with Lens Data System<br />

(LDS) contacts<br />

2. Close focus is measured from the film/sensor plane<br />

3. Magnification ratio is the relationship of the size of an object on film (first<br />

number) to the size of that object in real life (second number) at the close focus<br />

setting<br />

4. Length is measured from the lens mount to the front of the lens housing<br />

5. Diameter of the lens/matte box interface<br />

6. The distance from the entrance pupil to the film/sensor plane at focus = infinity.<br />

Positive numbers indicated an entrance pupil in front, negative numbers<br />

indicated an entrance pupil behind the film/sensor plane.<br />

The entrance pupil (often mistakenly called "nodal point") is the center of<br />

perspective; moving the camera/lens system around the center of the entrance<br />

pupil prevents parallax errors.<br />

While largerly irrelevant for live action, this measurement is important for<br />

special effects work.<br />

7. The image diameter (ID) is the diameter of the image circle needed for the<br />

respective format. These lenses are designed for the largest ID given here.<br />

8. Horizontal (H), vertical (V) and diagonal (D) angles of view for a Normal 35<br />

Academy camera aperture (aspect ratio 1.37:1, dimensions 22mm x 16mm /<br />

0.8661" x 0.6299")<br />

9. Horizontal (H), vertical (V) and diagonal (D) angles of view for a DIN Super 35<br />

Silent camera aperture (aspect ratio 1.33:1, dimensions 24mm x 18mm /<br />

0.944" x 0.7087")<br />

10. Horizontal (H), vertical (V) and diagonal (D) angles of view for an ANSI Super<br />

35 Silent camera aperture (aspect ratio 1.33:1, dimensions 24.9mm x 18.7mm<br />

/ 0.980" x 0.7362")<br />

11. T* XP is the trademark for the high end Zeiss anti-reflex lens coating that<br />

reduces veiling glare and other reflections. XP stands for extended performance.<br />

All data subject to change without notice.<br />

C a m e r a<br />

41

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