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Recently, the newly founded ARRI Digital<br />
Workflow Solutions group presented its<br />
“Workflow Guidelines: Recommended<br />
Practice for Shooting with ARRIFLEX D-21.”<br />
This technical information is designed to<br />
help customers working with ARRI’s first<br />
digital camera to decide which workflow<br />
best suits their needs. The guide provides<br />
an in depth explanation of the individual<br />
camera modes, such as HD, ARRIRAW and<br />
Mscope, as well as of the various recording<br />
options, and addresses the pros and cons<br />
of each of these processes. This takes the<br />
hassle out of the complexities of a digital<br />
shoot and the postproduction involved in<br />
creating the desired final product. An update<br />
will be soon made available at the<br />
launch of ALEXA. The new “Recommended<br />
Practices” are going to illustrate and explain<br />
more streamlined workflows that are introduced<br />
by new options such as recording<br />
compressed images to onboard memory<br />
storage and the ARRIRAW Partner Program.<br />
Digital Workflow Solutions was established<br />
in late 2009 and is headed by Henning<br />
Rädlein, who was in charge of the Digital<br />
Intermediate, Commercials and Visual<br />
Effects departments of ARRI’s postproduction<br />
subsidiary, ARRI Film&TV. Other members<br />
of this task force are: Christian “Geoffrey“<br />
Grafwallner, previously R&D Supervisor at<br />
ARRI Film&TV; Oliver Temmler, Application<br />
Engineer in the camera department; Andreas<br />
Berkl, previously responsible for the supervision<br />
of digital shoots at ARRI Rental Germany;<br />
as well as the colorist Florian “Utsi“<br />
Martin (THE LOVELY BONES, PERFUME, LORD<br />
OF THE RINGS).<br />
DoP Anna Foerster and Camera Operator Sebastian<br />
Meuschel currently shooting ANONYMOUS<br />
Digital Workflow<br />
Solutions<br />
(f.l.t.r.) Andreas Berkl, Florian “Utsi“ Martin, Christian “Geoffrey“ Grafwallner,<br />
Oliver Temmler, Henning Rädlein<br />
Digital Workflow Solutions is entrusted with<br />
defining system-based solutions for the integration<br />
of ARRI’s digital products, based on<br />
existing equipment and with publishing<br />
relevant guidelines. They make recommendations<br />
for the development of file-based<br />
workflows for the ALEXA Digital Camera<br />
System and are committed to user trainings.<br />
Adrian Widera, product manager for storage<br />
and partner solutions, who initiated the<br />
ALEXA Direct-to-Edit concept and developed<br />
the ARRIRAW Partner Program, supports the<br />
Digital Workflow Solutions group.<br />
In spring 2010 ARRI opens the doors to its new<br />
showroom and training center at its Munich<br />
headquarters. There, the workflow group will<br />
showcase various cameras, all related postproduction<br />
processes, and offer trainings. The<br />
group will also be available as an advisory<br />
and service partner, providing their customers<br />
with tailor-made solutions for their individual<br />
needs. Equipped with Apple and Avid workstations,<br />
the newly created facility features<br />
various HD and raw data storage solutions,<br />
as well as show casing data management,<br />
finishing and color correction software of<br />
various partner companies.<br />
Digital Workflow Solutions will also develop<br />
custom-made workflows and solutions for<br />
the ARRISCAN, ARRILASER, and ARRICUBE,<br />
as well as for their clients’ keykode and<br />
meta data management needs. Currently,<br />
the group provides support for productions<br />
shooting on D-21 in ARRIRAW and for the<br />
first feature shot with ALEXA: ANONYMOUS<br />
by Roland Emmerich.<br />
Henning Rädlein<br />
Contact: digitalworkflow@arri.de<br />
C a m e r a<br />
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