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12 C a m e r a ARRI Automated Workflows (AAW) are now possible with the ALEXA by embedding metadata in: • HD-SDI Stream • QuickTime Header • XML Files • ARRIRAW v3 Header Conform Workflows A possible uncompressed workflow that takes full advantage of ALEXA’s powerful internal processing capabilities is one where the simultaneous recording of ProRes MOV files is made onto removable SxS cards incamera, performed together with ARRIRAW recorded over T Link to certified recorders from companies such as Codex, Keisoku Giken or S.two. The ProRes MOV files offer immediate editing capability in Final Cut Pro. Once the editing sequence is finalized, a tool such as Glue Tools Digital Conform for Final Cut Pro can be used to link the edited ProRes data to the uncompressed ARRIRAW files. This new Glue Tools package consists of a Shot Management Tool, a Conform Tool and a Consolidate Tool. The combination of each of these tools allows the editor to not only perform an "Online/Offline" conform, but also manage colour as well. Such a simple, automated workflow will completely revolutionize the future for uncompressed recording, offering accessibility and security for productions ranging from lowbudget commercials to high-end TV dramas and of course for motion picture films as well. The Glue Tools ARRIRAW Toolkit and Conform Tool are available at www.gluetools.com ARRIRAW Uncompressed Bayer-Sensor Data Transported via SMPTE 372M ARRIRAW Uncompressed Bayer-Sensor Data Header / Metadata For Example YCrCb Rec 709 or RGB DCDM ARRI Digital Camera ARRI T-Link ARRIRAW Recorder .ARI ARRIRAW Postproduction e.g. DPX Master ARRIRAW Converter ARRIRAW SDk and Real Time Capabilities The ARRIRAW Converter (ARC) has also been updated to support new ALEXA formats and features. The Graphical User Interface (GUI) version for Windows now offers a GPU-based viewer that allows instant previewing of ARRIRAW files. Additionally new command line versions are available for several Linux distributions. ARRI is very pleased to offer ARC also for Mac OS now. The latest ARC installers can be downloaded at www.arri.com/arriraw and www.arridigital.com/arc ARRI IMAGING TECHNOLOGY ARRIRAW Converter ARRIFLEX D-21 With the introduction of the new ARRIRAW SDK, partners will be able to integrate ARRI debayering and image processing algorithms into their systems. Instead of requiring dedicated hardware for fluent playback of ARRIRAW file sequences, our approach is to utilize Nvidia GPUs, allowing the use of standard hardware to accelerate playback and real time processing – creating yet another cost saving and efficiency benefit. Systems using the ARRIRAW SDK can be identified by the ARRI Imaging Technology (AIT) label. Adrian Widera Codex High Res Media Recorder ARRI IMAGING TECHNOLOGY ARRI Avid Plugin Avid MetaFuze Avid DS TM Keisuko Giken UDR-D100 Digital Vision Nucoda S.two DFR2K-AR DVS Clipster
S.two OB-1 * FilmLight Filmlight Baselight + S.two FlashDock * *T-Link Certification still in progress IRIDAS Speedgrade FrameCycler MetaRender MTI Film Control Dailies “We’re very excited to see ARRI leveraging the power of NVIDIA ® CUDA technology” said Andrew Cresci, GM Vertical Marketing at NVIDIA ® : “If you’re a director of photography and you’ve got an entire crew waiting for directions on a series of shots, you want to streamline the decision making process. With CUDA parallel processing technology, ARRI can now deliver real-time preview of RAW video at full resolution – greatly accelerating the quality and speed of making critical decisions.” Express Card 34 – Content Overview Wrapper-MOV POMFORT fn SilverStack & Cinemator Pomfort SilverStack Cinemator ARRIRAW Audio Image Metadata Metadata Project/Bin File FCP XML Metadata Glue Tools ARRIRAW Toolkit Conform Tool for Final Cut Studio ProRes 422 (HQ) MOV ProRes 4444 MOV FCP XML e.g. DPX Master Weblinks: C a m e r a s R e c o r d e r P o s t p r o d u c t i o n T o o l s Summary The ALEXA digital camera system with its variety of recording op tions and seamless integration into the most advanced postproduction systems embodies the ARRI philosophy of building better products for professionals. By integrating most appropriate technologies, defining interfaces and harmonizing formats, the exchange of media and metadata is optimized between all workflow components. The ARRIRAW Partner Program has proven to be a great network to exchange and co-develop technologies and workflow solutions that reduce complexity and offer increased efficiency. ALEXA Workflows – simplicity and efficiency from the multi-award winning, leading professional motion picture camera manufacturer – offering the best tools for the job, and bringing creative freedom and competitive advantage to the user. ARRIRAW Website and Support ARRIRAW Website www.arri.de/arriraw www.arridigital.com/contacts/partnerprogram ARRIRAW Customer Support ARRIRAWSupport@arri.de ARRIRAW T-Link Certified Recorders S.two www.stwo-corp.com Codex www.codexdigital.com Keisuko Giken www.keisoku.co.jp C a m e r a ARRIRAW Capable Tools ARRI ARRIRAW Converter (ARC) www.arri.de/arriraw www.arridigital.com/arc ARRIRAW Avid Plug-in www.avid.com, www.arri.com/arriraw Digital Vision Nucoda www.digitalvision.se DVS Clipster www.dvs.com Filmlight Baselight www.filmlight.ltd.uk Glue Tools www.gluetools.com IRIDAS Speedgrade www.iridas.com MTI Film Control Dailies DA www.mtifilm.com Pomfort Silverstack/Cinemator www.pomfort.com 13
Page 1 and 2: 0 4 / 2 0 1 0 n e w s the alex a Un
Page 3 and 4: Dear Friends and Colleagues Dr. Mar
Page 5 and 6: ARRI/FUJINON Zooms ARRI/ZEISS Prime
Page 7 and 8: How the Work Flows… Future Proof
Page 9 and 10: Powerful options 3D optimized The E
Page 11: Flow Apple ProRes Direct-to-Post Wo
Page 15 and 16: Workflow Case Study ARRIRAW Workflo
Page 17 and 18: Recently, the newly founded ARRI Di
Page 19 and 20: The sensitivity of the ARRI sensor
Page 21 and 22: The production was supplied with AR
Page 23 and 24: LIE TO ME When Sidell was brought o
Page 25 and 26: 81 Degrees North extreme cold, rain
Page 27 and 28: (f.l.t.r.) Kai Schubert, Hans Fisch
Page 29 and 30: Transforms two streams of 1920x1080
Page 31 and 32: ASWAR EL AMAR (MOON WALL) is among
Page 33 and 34: photo Dean Morin it turned out that
Page 35 and 36: What postproduction route was taken
Page 37 and 38: photo: Ingeborg Klyve John Christia
Page 39 and 40: M A I N F E A T U R E S • Matched
Page 41 and 42: ARRI/ZEISS 12 master Prime A Techno
Page 43 and 44: ©A.M.P.A.S.® photo: Danny Molosho
Page 45 and 46: photo Matt Petit © A.M.P.A.S.® ph
Page 47 and 48: an ARRISCAN rather than run through
Page 49 and 50: Current Productions Numerous restor
Page 51 and 52: Focus on Company 3 File-based Workf
Page 53 and 54: iPAX The ARRI PAX LED Kit with True
Page 55 and 56: photos: Jake Gigliotti Mark Read al
Page 57 and 58: Successful TV show relies on ARRI T
Page 59 and 60: ARRImAX in China Illuminating the g
Page 61 and 62: Based on the design principles of t
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Under the guidance of DoP Gernot Ro
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Dr. Martin Prillmann (right) presen
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Dr. Martin Prillmann, Adel Adeeb, F
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HoRIZoNS Stephan is to analyse the
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ARRI way both analogue and digital
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That same year Volker was named Pre
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ARRI RENTAL GERMANY ARRI CSC ARRI M
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