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Cremation, Caste, and Cosmogony in Karmic Traditions.

Cremation, Caste, and Cosmogony in Karmic Traditions.

Cremation, Caste, and Cosmogony in Karmic Traditions.

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Fig. 2.6. The representation of caste <strong>in</strong> sacred texts.<br />

Worthy,<br />

Sacrificial<br />

<strong>Caste</strong> Office<br />

Royal<br />

Representative of<br />

Admitted Indra<br />

Priestly Celebrants<br />

Farm<strong>in</strong>g Purveyors of food<br />

Serfs Excluded except for certa<strong>in</strong> rites<br />

This schematic representation of the castes <strong>and</strong> their<br />

function (fig. 2.5) is extremely close to the one found <strong>in</strong><br />

the old texts (fig. 2.6).<br />

These classification schemes have to be seen <strong>in</strong> light of<br />

the role of the sacrifier. “The sacrificer [sacrifier] is<br />

much more than a worshipper…he represents a god or<br />

gods, more particularly Indra…The K<strong>in</strong>g Indra is a<br />

double capacity: firstly, because the sacrificer [sacrifier]<br />

is always Indra <strong>and</strong> the k<strong>in</strong>g is a sacrificer [sacrifier];<br />

secondly, because Indra is the god of his caste.<br />

Everyth<strong>in</strong>g he does <strong>in</strong> the ritual is as representative of<br />

Indra, <strong>and</strong> all that is done to him is done to Indra. Indra<br />

is primarily the fight<strong>in</strong>g god…The k<strong>in</strong>g as Indra renews<br />

<strong>in</strong> every sacrifice the contest between the light-br<strong>in</strong>g<strong>in</strong>g<br />

gods <strong>and</strong> the power of darkness” (Hocart 1950:35).<br />

Accord<strong>in</strong>g to Hocart then, the caste system is basically a<br />

sacrificial organisation where everyth<strong>in</strong>g is structured<br />

around the k<strong>in</strong>g <strong>and</strong> his sacrifical role. The other groups<br />

<strong>in</strong> the society have different obligations <strong>in</strong> relation to the<br />

sacrifices.<br />

Ritual <strong>and</strong> sacrifice – space <strong>and</strong> architecture<br />

Rituals teach people to believe <strong>in</strong> cultural pr<strong>in</strong>ciples by<br />

creat<strong>in</strong>g experiences, <strong>and</strong> the rites produce social order<br />

by produc<strong>in</strong>g conceptual order – rituals create sense by<br />

produc<strong>in</strong>g contrasts <strong>in</strong> the cont<strong>in</strong>uum of experience<br />

(Valeri 1985:x-xi). The role of sacrifice <strong>in</strong> death rituals<br />

is important. Eliade emphasises the sexual <strong>and</strong> fertile<br />

associative aspects <strong>in</strong> offer<strong>in</strong>gs, not only because they<br />

represented the cyclical forces, but more importantly<br />

because these acts repeated the mythical orig<strong>in</strong> <strong>and</strong><br />

recreated cosmos. The commemoration of the Creation<br />

is a re-actualisation of the cosmogonic act <strong>in</strong> the rituals<br />

(Eliade 1987:77). The orig<strong>in</strong>al hidden mean<strong>in</strong>g is<br />

revealed <strong>in</strong> the rituals, <strong>and</strong> the “cosmogony is the<br />

supreme div<strong>in</strong>e manifestation” (ibid:80), l<strong>in</strong>k<strong>in</strong>g man’s<br />

rituals <strong>in</strong> the present with the div<strong>in</strong>e glory <strong>in</strong> the past.<br />

The cosmic time serves as the model for the sacred time,<br />

<strong>and</strong> by “participat<strong>in</strong>g ritually <strong>in</strong> the end of the world <strong>and</strong><br />

its re-creation, any…man was born anew, he began life<br />

over aga<strong>in</strong> with his reserve of vital forces <strong>in</strong>tact, as it<br />

was at the moment of his birth” (ibid). Partak<strong>in</strong>g <strong>in</strong> the<br />

re-creation of cosmos gives new life – <strong>and</strong> new life <strong>and</strong><br />

cont<strong>in</strong>uity are what is emphasised <strong>in</strong> death rituals. Thus,<br />

34<br />

there is a duality whereby the same processes <strong>and</strong><br />

metaphors are emphasised <strong>in</strong> funerals: the death rituals<br />

both recreate cosmos <strong>and</strong> give the deceased new life.<br />

This dual process <strong>in</strong>volves elements of sacrifice <strong>in</strong> one<br />

or another way.<br />

Sacrifice is an offer<strong>in</strong>g whereby a human offers a gift to<br />

a god <strong>in</strong> the form of an object or an action. If a devotee<br />

for <strong>in</strong>stance offers a coconut, then after the offer<strong>in</strong>g the<br />

devotee will dr<strong>in</strong>k the rest as a prasad – a gift from the<br />

god to the devotee (Svoboda 1993a:52). Henri Hubert<br />

<strong>and</strong> Marcel Mauss def<strong>in</strong>ed ”sacrifice” as ”a religious act,<br />

which through the consecration of a victim, modifies the<br />

condition of the moral person who accomplishes it or<br />

that of certa<strong>in</strong> objects with which he is concerned”<br />

(Hubert & Mauss 1964:13). Valerio Valeri (1985)<br />

describes ”sacrifice” as any ritual action that <strong>in</strong>cludes the<br />

consecration of an ”offer<strong>in</strong>g” to a deity. Every sacrifice<br />

<strong>in</strong>volves an <strong>in</strong>dividual or collective subject that performs<br />

the rite, or other may perform it on behalf of a sacrifier.<br />

The offer<strong>in</strong>g is usually divided <strong>in</strong>to two parts after it is<br />

consecrated to the gods. The first part goes to the deity<br />

alone, <strong>and</strong> the second part to the sacrifier who may<br />

distribute it to the other participants accord<strong>in</strong>g to rank. A<br />

sacrifice is a complex ritual action, which is a function<br />

of the follow<strong>in</strong>g features: 1) its end <strong>and</strong> the occasion on<br />

which it is made, 2) the deity or deities to whom it is<br />

addressed, 3) the content of the offer<strong>in</strong>g <strong>and</strong> its symbolic<br />

value, <strong>and</strong> 4) the way the offer<strong>in</strong>g is treated <strong>and</strong><br />

apportioned <strong>in</strong> the rite. The classification of sacrifices<br />

has to be <strong>in</strong> accordance with their end <strong>and</strong> the occasion<br />

on which they are made. Commemorative funeral<br />

sacrifices transform<strong>in</strong>g the dead <strong>in</strong>to the sphere of<br />

ancestors <strong>and</strong> rites of passage <strong>in</strong> general are performed<br />

for all <strong>in</strong>dividuals, but their complexity varies as a<br />

function of the sacrifier’s rank (Valeri 1985: 37-38).<br />

There are different theories about sacrifice <strong>and</strong> its<br />

function <strong>in</strong> society. Regard<strong>in</strong>g the state cult, Geertz<br />

argues “the state cult was not a cult of the state. It was an<br />

argument, made over <strong>and</strong> over aga<strong>in</strong> <strong>in</strong> the <strong>in</strong>sistent<br />

vocabulary of ritual, that worldly status has a cosmic<br />

base, that hierarchy is the govern<strong>in</strong>g pr<strong>in</strong>ciple of the<br />

universe, <strong>and</strong> that the arrangements of human life are but<br />

approximations, more close or less, to those of the<br />

div<strong>in</strong>e” (Geertz 1980:102). The rites created div<strong>in</strong>e

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