Cremation, Caste, and Cosmogony in Karmic Traditions.
Cremation, Caste, and Cosmogony in Karmic Traditions.
Cremation, Caste, and Cosmogony in Karmic Traditions.
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Fig. 5.1 Map of Bangladesh with Faridpur <strong>and</strong> the rivers Ganga <strong>and</strong> Brahmaputra 76<br />
Fig. 5.2 Population Census 1961 77<br />
Fig. 5.3 Population Census 1991 77<br />
Fig. 5.4 Ambikapur Shashan Ghat 78<br />
Fig. 5.5 <strong>Cremation</strong> platform 78<br />
Fig. 5.6 Channel from the pyre where the ashes are washed <strong>in</strong>to the river 80<br />
Fig. 5.7 Pile of burnt wood next to the cremation platform 81<br />
Fig. 5.8 Newly built grave with crushed ceramic pot by the head 81<br />
Fig. 5.9 Hazera 83<br />
Fig. 6.1 Statue of Jagadb<strong>and</strong>hu 90<br />
Fig. 6.2 Rajani receives the bless<strong>in</strong>g from Jagadb<strong>and</strong>hu 92<br />
Fig. 6.3 Jagadb<strong>and</strong>hu meditat<strong>in</strong>g <strong>in</strong> lotus position 93<br />
Fig. 6.4 Sree Angam Ashram with the river where he floated while meditat<strong>in</strong>g 93<br />
Fig. 6.5 Jagadb<strong>and</strong>hu disciple <strong>in</strong> the Bakchar temple 95<br />
Fig. 6.6 Shochi N<strong>and</strong>an Brahmachari 97<br />
Fig. 6.7 Burial <strong>in</strong> coff<strong>in</strong> 98<br />
Fig. 6.8 Private Kali temple <strong>in</strong> B<strong>and</strong>habpalli 100<br />
Fig. 6.9 Jagadb<strong>and</strong>hu temple <strong>in</strong> B<strong>and</strong>habpalli 102<br />
Fig. 6.10 Pig sacrifice among the sweepers 102<br />
Fig. 7.1 The mighty Ganga 110<br />
Fig. 7.2 River erosion 110<br />
Fig. 7.3 Tara 112<br />
Fig. 7.4 Tripur-Sundar 112<br />
Fig. 7.5 Bhuvanesvari 112<br />
Fig. 7.6 Tripur-Bhairavi 112<br />
Fig. 7.7 Dhumavati 113<br />
Fig. 7.8 Bagla-Mukhi or Bhogola 113<br />
Fig. 7.9 Matangi 113<br />
Fig. 7.10 Kamala 113<br />
Fig. 7.11 Ch<strong>in</strong>namasta 114<br />
Fig. 7.12 Pot-maker <strong>in</strong> front by the temple with the furnace <strong>in</strong> the background 118<br />
Fig. 7.13 Pots <strong>in</strong> production 118<br />
Fig. 7.14 The mak<strong>in</strong>g of Durga 120<br />
Fig. 7.15 Ghata 121<br />
Fig. 7.16 Cemetery of statues 123<br />
Fig. 7.17 Replacement of Shashan Kali at Ambikapur 124<br />
Fig. 7.18 The Baishanti Durga puja. The f<strong>in</strong>ished statue, see fig. 7.14. 126<br />
Fig. 8.1 A comb<strong>in</strong>ed Kali <strong>and</strong> Saraswati temple <strong>in</strong> the sweepers’ para visualised by two<br />
posters, together with the ghata<br />
136<br />
Fig. 9.1 Map of Nepal 146<br />
Fig. 9.2 Manang <strong>and</strong> Gangapurna glacier 150<br />
Fig. 9.3 Tore cemetery <strong>in</strong> Manang with chorten on Gangapurna glacier’s end-mora<strong>in</strong>e 151<br />
Fig. 9.4 Chorten used as crematorium. Ashes <strong>and</strong> bones are collected from the open<strong>in</strong>g 151<br />
Fig. 9.5 Bone gr<strong>in</strong>d<strong>in</strong>g 152<br />
Fig. 9.6 Chatafars <strong>in</strong>side a chorten 153<br />
Fig. 9.7 Chatafars <strong>in</strong> mani-wall 153<br />
Fig. 9.8 Nire Ghat by Kalig<strong>and</strong>aki River, Dhaulagiri (8167 m) <strong>in</strong> the background 157<br />
Fig. 9.9 River <strong>and</strong> ra<strong>in</strong> <strong>in</strong> a life-giv<strong>in</strong>g water perspective 159<br />
Fig. 10.1 Fluid attributions <strong>and</strong> metaphors 163<br />
Fig. 10.2 L<strong>in</strong>ga at Pashupat<strong>in</strong>ath with trident, symbolis<strong>in</strong>g from left to right will, knowledge<br />
<strong>and</strong> power, <strong>and</strong> jalahari, a copper cup that hangs right above the Shiva L<strong>in</strong>gam<br />
from which water drips from this cup almost cont<strong>in</strong>uously<br />
165<br />
Fig. 10.3 Dagbatti – the light<strong>in</strong>g of the pyre 168<br />
Fig. 10.4 Sexual engrav<strong>in</strong>gs at the Bachhaleshwori temple, Pashupat<strong>in</strong>ath 170<br />
Fig. 11.1 At the sadhu area at Pashupat<strong>in</strong>ath there is a small copy of the orig<strong>in</strong>al Shiva-l<strong>in</strong>ga<br />
<strong>in</strong> the temple. The l<strong>in</strong>ga has five faces; one po<strong>in</strong>t<strong>in</strong>g <strong>in</strong> each direction <strong>and</strong> the fifth<br />
is faceless on the top<br />
179<br />
Fig. 11.2 The spot where humans were sacrificed to the Bachhaleshwori temple 182<br />
Fig. 11.3 Virupakshya <strong>and</strong> his temple 183<br />
Fig. 11.4 Bagmati orig<strong>in</strong>at<strong>in</strong>g from Shiva’s head. Ma<strong>in</strong> gate at Pashupat<strong>in</strong>ath 184