10.08.2013 Views

Cremation, Caste, and Cosmogony in Karmic Traditions.

Cremation, Caste, and Cosmogony in Karmic Traditions.

Cremation, Caste, and Cosmogony in Karmic Traditions.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Fig. 5.1 Map of Bangladesh with Faridpur <strong>and</strong> the rivers Ganga <strong>and</strong> Brahmaputra 76<br />

Fig. 5.2 Population Census 1961 77<br />

Fig. 5.3 Population Census 1991 77<br />

Fig. 5.4 Ambikapur Shashan Ghat 78<br />

Fig. 5.5 <strong>Cremation</strong> platform 78<br />

Fig. 5.6 Channel from the pyre where the ashes are washed <strong>in</strong>to the river 80<br />

Fig. 5.7 Pile of burnt wood next to the cremation platform 81<br />

Fig. 5.8 Newly built grave with crushed ceramic pot by the head 81<br />

Fig. 5.9 Hazera 83<br />

Fig. 6.1 Statue of Jagadb<strong>and</strong>hu 90<br />

Fig. 6.2 Rajani receives the bless<strong>in</strong>g from Jagadb<strong>and</strong>hu 92<br />

Fig. 6.3 Jagadb<strong>and</strong>hu meditat<strong>in</strong>g <strong>in</strong> lotus position 93<br />

Fig. 6.4 Sree Angam Ashram with the river where he floated while meditat<strong>in</strong>g 93<br />

Fig. 6.5 Jagadb<strong>and</strong>hu disciple <strong>in</strong> the Bakchar temple 95<br />

Fig. 6.6 Shochi N<strong>and</strong>an Brahmachari 97<br />

Fig. 6.7 Burial <strong>in</strong> coff<strong>in</strong> 98<br />

Fig. 6.8 Private Kali temple <strong>in</strong> B<strong>and</strong>habpalli 100<br />

Fig. 6.9 Jagadb<strong>and</strong>hu temple <strong>in</strong> B<strong>and</strong>habpalli 102<br />

Fig. 6.10 Pig sacrifice among the sweepers 102<br />

Fig. 7.1 The mighty Ganga 110<br />

Fig. 7.2 River erosion 110<br />

Fig. 7.3 Tara 112<br />

Fig. 7.4 Tripur-Sundar 112<br />

Fig. 7.5 Bhuvanesvari 112<br />

Fig. 7.6 Tripur-Bhairavi 112<br />

Fig. 7.7 Dhumavati 113<br />

Fig. 7.8 Bagla-Mukhi or Bhogola 113<br />

Fig. 7.9 Matangi 113<br />

Fig. 7.10 Kamala 113<br />

Fig. 7.11 Ch<strong>in</strong>namasta 114<br />

Fig. 7.12 Pot-maker <strong>in</strong> front by the temple with the furnace <strong>in</strong> the background 118<br />

Fig. 7.13 Pots <strong>in</strong> production 118<br />

Fig. 7.14 The mak<strong>in</strong>g of Durga 120<br />

Fig. 7.15 Ghata 121<br />

Fig. 7.16 Cemetery of statues 123<br />

Fig. 7.17 Replacement of Shashan Kali at Ambikapur 124<br />

Fig. 7.18 The Baishanti Durga puja. The f<strong>in</strong>ished statue, see fig. 7.14. 126<br />

Fig. 8.1 A comb<strong>in</strong>ed Kali <strong>and</strong> Saraswati temple <strong>in</strong> the sweepers’ para visualised by two<br />

posters, together with the ghata<br />

136<br />

Fig. 9.1 Map of Nepal 146<br />

Fig. 9.2 Manang <strong>and</strong> Gangapurna glacier 150<br />

Fig. 9.3 Tore cemetery <strong>in</strong> Manang with chorten on Gangapurna glacier’s end-mora<strong>in</strong>e 151<br />

Fig. 9.4 Chorten used as crematorium. Ashes <strong>and</strong> bones are collected from the open<strong>in</strong>g 151<br />

Fig. 9.5 Bone gr<strong>in</strong>d<strong>in</strong>g 152<br />

Fig. 9.6 Chatafars <strong>in</strong>side a chorten 153<br />

Fig. 9.7 Chatafars <strong>in</strong> mani-wall 153<br />

Fig. 9.8 Nire Ghat by Kalig<strong>and</strong>aki River, Dhaulagiri (8167 m) <strong>in</strong> the background 157<br />

Fig. 9.9 River <strong>and</strong> ra<strong>in</strong> <strong>in</strong> a life-giv<strong>in</strong>g water perspective 159<br />

Fig. 10.1 Fluid attributions <strong>and</strong> metaphors 163<br />

Fig. 10.2 L<strong>in</strong>ga at Pashupat<strong>in</strong>ath with trident, symbolis<strong>in</strong>g from left to right will, knowledge<br />

<strong>and</strong> power, <strong>and</strong> jalahari, a copper cup that hangs right above the Shiva L<strong>in</strong>gam<br />

from which water drips from this cup almost cont<strong>in</strong>uously<br />

165<br />

Fig. 10.3 Dagbatti – the light<strong>in</strong>g of the pyre 168<br />

Fig. 10.4 Sexual engrav<strong>in</strong>gs at the Bachhaleshwori temple, Pashupat<strong>in</strong>ath 170<br />

Fig. 11.1 At the sadhu area at Pashupat<strong>in</strong>ath there is a small copy of the orig<strong>in</strong>al Shiva-l<strong>in</strong>ga<br />

<strong>in</strong> the temple. The l<strong>in</strong>ga has five faces; one po<strong>in</strong>t<strong>in</strong>g <strong>in</strong> each direction <strong>and</strong> the fifth<br />

is faceless on the top<br />

179<br />

Fig. 11.2 The spot where humans were sacrificed to the Bachhaleshwori temple 182<br />

Fig. 11.3 Virupakshya <strong>and</strong> his temple 183<br />

Fig. 11.4 Bagmati orig<strong>in</strong>at<strong>in</strong>g from Shiva’s head. Ma<strong>in</strong> gate at Pashupat<strong>in</strong>ath 184

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!