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38 HONDA THE SAMUliAL the magoriama jewels, and his bow and arrows were laid at his side. The servants of his household were then buried with him. " The terrors of cold, hunger, and starvation, raven- ous wild beasts and birds, were so horrifying that from the circle of victims that forest rang with heart- rending sounds. Yet it was an old custom, and hav- an escort ing the religious significance of furnishing and company for the prince to the spirit-land, no ordi- nary person dared to hint at a change. " Now the Mikado who reigned at this period was a man of very kind heart, and had not realized fully the cruelty of the custom of jun-shi, or dying with the master. But one day while passing through the forest he heard the groans of men in agony, and going forward saw the wan faces of the dead prince's retainers appearing just above the damp earth. They lived for several days in dreadful misery. Then all was quiet, the piteous moans ceased to reach the palace, and nothing but a row of heads with rigid faces and staring eyes remained to tell the tale. " The good Mikado was so grieved that he scarcely the matter with his chief slept, and on discussing counselors, they all agreed that to sacrifice to the spirit of a dead man the living whom he had loved in life was a bad custom and ought to be changed. It was suggested that the spirit might be appeased if images of his people, horses, etc., were made and put into the tomb instead of living beings. This suggestion was not well received at first, but the reformers
THE BEGINNING OF ART. 39 determined to carry their point and abolish the cruel custom. The man who led the reformers was one Nomi no Sukune", who was a man of tremendous strength and renowned as the first wrestler in Japan. " A fitting opportunity soon offered. The wife of the Mikado fell sick and died. Among the courtiers there were some who believed in following the time- honored custom. Then there was weeping in the palace among the maids-of-honor and the pages who waited on the imperial lady, and their parents were heart-broken at the thought of losing their children by a living death. "The Mikado held a council of his advisers and Nomi no Sukune bravely spoke up and urged that clay, molded and made hard by fire, should be put in place of the maidens and pages, who else would be buried alive. " The Mikado graciously heard the suggestion, and to the great joy of the weeping maids and the delight of the reformers, ordered Sukune* to bring the men skilled in mixing and tempering clay from Idzumo, where pottery was then made. Forthwith he sent for and brought a company of one hundred workmen in clay. Arriving near the sacred ground they selected the proper beds of clay, which they ground fine, beat, and washed. They then began to make models of the maidens and young men who would otherwise be the victims, and set them in the sun to dry and harden. Images of horses were also made, as these animals were sacred to the kami^ or spirits. Other objects were molded which the sacred books
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38<br />
HONDA THE SAMUliAL<br />
the magoriama jewels, and his bow and arrows were<br />
laid at his side. The servants of his household were<br />
then buried with him.<br />
" The terrors of cold, hunger, and starvation, raven-<br />
ous wild beasts and birds, were so horrifying that<br />
from the circle of victims that forest rang with heart-<br />
rending sounds. Yet it was an old custom, and hav-<br />
an escort<br />
ing the religious significance of furnishing<br />
and company for the prince to the spirit-land, no ordi-<br />
nary person dared to hint at a change.<br />
" Now the Mikado who reigned at this period was a<br />
man of very kind heart, and had not realized fully<br />
the cruelty of the custom of jun-shi, or dying with<br />
the master. But one day while passing through the<br />
forest he heard the groans of men in agony, and<br />
going forward saw the wan faces of the dead prince's<br />
retainers appearing just above the damp earth.<br />
They lived for several days in dreadful misery.<br />
Then all was quiet, the piteous moans ceased to<br />
reach the palace, and nothing but a row of heads<br />
with rigid faces and staring eyes remained to tell the<br />
tale.<br />
" The good Mikado was so grieved that he scarcely<br />
the matter with his chief<br />
slept, and on discussing<br />
counselors, they all agreed<br />
that to sacrifice to the<br />
spirit of a dead man the living whom he had loved<br />
in life was a bad custom and ought to be changed.<br />
It was suggested that the spirit might be appeased if<br />
images of his people, horses, etc., were made and put<br />
into the tomb instead of living beings.<br />
This suggestion<br />
was not well received at first, but the reformers