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24 HONDA THE SAMURAI. of mountain-land being made by a rockery of lava, volcanic and water-worn stones. Here are mimic precipices, gorges, and dells, and over one projecting crag of miniature proportions dashes a tiny cataract ; the water, gliding through moss and aquatic plants, joins the fish-pond a few feet off, which gleams with darting gold-fish. A peculiar kind of cake or crack- nel, kept ready in a pail, is used to feed the finny pets and gives ample reason for their fatness. At the end of the pond is a quarter-acre of lotus flowers in bloom. Their colossal leaf-shields, two feet and a half in diameter, hold in their heart glittering jewels of dew. The blossoms, white and pink, six inches across, are beautiful beyond description. The lotus is the sacred flower of the Buddhists. It is found on their temple altars, sculptured and carved in their architecture. The Buddhist sutras, or sacred writings, are called lotuses. The stone which holds the bier during the services at the tomb is carved to represent the lotus. It is the symbol of creation, immortality, divinity. In Nirvana, the devout believer in Buddha hopes to be absorbed in the bosom of Buddha who sits upon a lotus. To "sit on the lotus" means to go to the Buddhist heaven. Tall and venerable trees casting grateful shade, the sound of purling water, cool breezes blown over fragrant white lilies, tall and swaying these strike the senses with delight as we sit for a very few moments awaiting the arrival of our hostess. A servingmaid first brings in refreshments a tray containing
A JAPANESE HOME. 25 a tiny tea-pot, tinier cups, and little metal sockets. There is no such thing as a saucer or handle to these cups, for such foreign additions are unknown in Japanese tea-drinking. In the maid's other hand is a stand, laid with white paper, and piled with cut sponge-cake and amber-colored sugar jelly. Kneeling and bowing, she pours and hands out the little each set in its socket. cups, The grandmother is a well-preserved old lady of sixty-nine ; the mother a lady of probably thirty-five. They come forward and make the usual salutation hands, knees, and forehead on the floor, or rather the face laid on the two prone palms. Then, sitting up, they engage in conversation. The old lady is extremely merry and loquacious, the mother is rather dignified and a little inclined to reserve, but handsome and with the atmosphere of high birth and breeding. She is a native of Higo, a province which with Echizen shares a good reputation for women. beautiful The other members of the family who are at home the head of the house with his man-servant being away traveling are two sons and two daughters. of the Of the boys, Taro is twelve and Kozo is four ; Kind is ten and time* is six. daughters, Supposing that under the leading of Mrs. Rai who, like most good housekeepers, is fond of letting her friends see her household, we wander through the rooms and garden, this is probably what some of us would see, think, or tell. We should be im- pressed with the fact that neatness and simplicity
- Page 1 and 2: UNIVERSITY OF CALIFORNIA SAN D EGO
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- Page 11 and 12: efcicatum. TO THE NOBLE BAND OF MIS
- Page 13 and 14: PREFACE. THIS story owes its origin
- Page 15 and 16: CONTENTS. I. THE CITY OF THE HAPPY
- Page 19 and 20: HONDA THE SAMURAI. CHAPTER I. THE C
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- Page 31 and 32: THE CITY OF THE HAPPY WELL. 21 [of
- Page 33: A JAPANESE HOME. 23 and smirks up t
- Page 37 and 38: A JAPANESE HOME. 27 The Japanese ar
- Page 39 and 40: A JAPANESE HOVE. 29 or laid on grid
- Page 41 and 42: A JAPANESE HOME. 31 In summer when
- Page 43 and 44: CHAPTER III. THE BEGINNING OF ART.
- Page 45 and 46: THE BEGINNING OF ART. 35 and legal
- Page 47 and 48: THE BEGINNING OF ART. 37 the origin
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- Page 64 and 65: 52 HONDA THE SAMUBAI. " Yes, yes !
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- Page 80 and 81: 68 HONDA THE SAMURAI. The four kago
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A JAPANESE HOME. 25<br />
a tiny tea-pot, tinier cups, and little metal sockets.<br />
There is no such thing as a saucer or handle to these<br />
cups, for such foreign<br />
additions are unknown in<br />
Japanese tea-drinking. In the maid's other hand is<br />
a stand, laid with white paper, and piled with cut<br />
sponge-cake and amber-colored sugar jelly. Kneeling<br />
and bowing, she pours and hands out the little<br />
each set in its socket.<br />
cups,<br />
The grandmother is a well-preserved old lady of<br />
sixty-nine ; the mother a lady of probably thirty-five.<br />
They come forward and make the usual salutation<br />
hands, knees, and forehead on the floor, or rather the<br />
face laid on the two prone palms. Then, sitting up,<br />
they engage in conversation. The old lady is extremely<br />
merry and loquacious, the mother is rather<br />
dignified and a little inclined to reserve, but handsome<br />
and with the atmosphere of high birth and<br />
breeding. She is a native of Higo, a province which<br />
with Echizen shares a good reputation for<br />
women.<br />
beautiful<br />
The other members of the family who are at home<br />
the head of the house with his man-servant being<br />
away traveling are two sons and two daughters.<br />
of the<br />
Of the boys, Taro is twelve and Kozo is four ;<br />
Kind is ten and time* is six.<br />
daughters,<br />
Supposing that under the leading of Mrs. Rai who,<br />
like most good housekeepers, is fond of letting her<br />
friends see her household, we wander through the<br />
rooms and garden, this is probably what some of<br />
us would see, think, or tell. We should be im-<br />
pressed with the fact that neatness and simplicity