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262 HONDA THE SAMURAI.<br />

fire, but now turned upside down, serving as a weird<br />

three-pointed crown, still further exaggerated her<br />

apparent height. On her breast hung a silvered<br />

metal mirror on which the moon-beams danced and<br />

shot out lengthened rays. The strangest part of her<br />

equipment was in her hands and mouth. The fingers<br />

of her right hand grasped a blacksmith's hammer,<br />

and in her left was a pair of manikins or rude<br />

dolls made out of rice-straw. Out of her mouth<br />

protruded three long<br />

iron nails and in front of her<br />

belt hung a little bag, containing a further supply.<br />

By the time she arrived in the open fronting the<br />

shrine the watchers could see her eyes glittering<br />

with rage and her whole frame trembling with ex-<br />

citement.<br />

Kneeling before the god<br />

Fudo she took off the<br />

earthen tripod, and laying the two straw images on<br />

the stone step before the shrine and then the hammer<br />

and nails, she bowed her head, clapped her<br />

hands tightly together, and offered up this prayer :<br />

" O awful deity, in thy name I invoke vengeance<br />

upon the faithless one and his partner. On thy<br />

sacred tree I lay these effigies. Let not the tree be<br />

harmed, but transfer the hurt of the wood to the<br />

bodies of the victims, and wreak thy vengeance on<br />

the offenders that they may pine and die."<br />

Rising from her devotions she approached the tree<br />

sacred to the god Fudo and decorated it with the<br />

straw circlets. Pressing one of the effigies upon the<br />

stumps of the old nails already on the tree, she laid<br />

the other upon the top of it, holding them down with

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