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SCENES AT A HERO'S SHRINE. 169<br />

and we the morning-glory, when jeweled with the<br />

dew.<br />

In this respect our story must be different from<br />

that in perhaps the majority of Japanese novels.<br />

These powerfully illustrate the idea of filial piety,<br />

even to the idea that a daughter must cheerfully sell<br />

herself and her happiness at the command of her<br />

parents, so that they may<br />

be saved from debt or<br />

poverty. In the name of filial piety crimes against<br />

women were constantly committed. Perhaps no pages<br />

of Japanese fiction more vividly illustrate this truth<br />

than those of the classic writer Bakin, in his story<br />

entitled " Biography of a Gold-fish."<br />

From the middle of the sixth month, according to<br />

the lunar calendar, people went out in the evenings<br />

to saunter on the great bridge along the river-flats<br />

und over the hills. Then the jugglers displayed<br />

their skill, and curious animals, fish, bugs, beasts,<br />

fossils, and monstrosities were exhibited. Storytellers<br />

gathered their gaping crowds and "picked<br />

the pockets of listeners with their tongues." Musi-<br />

cians, both players and singers, mountebanks, the<br />

man who cracked stones with his fist, the sword-<br />

swallowers, the tortoise-tamers, the snake-charmers,<br />

the acrobats who danced on the top of the man who<br />

lay on the ground with a tengu's nose feet high, were in their glory.<br />

eight or ten<br />

At night the river-banks, boats, tea-houses, flats,<br />

and parts of the dry bed of the stream were brill-<br />

iantly illuminated. In this month also the picnic<br />

parties spread their rugs, and made merry with

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