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Innovation Special Planetariums 9 - Carl Zeiss Planetariums

Innovation Special Planetariums 9 - Carl Zeiss Planetariums

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The new Planetarium in Radebeul<br />

Ulf Peschel, Head of Radebeul observatory<br />

and planetarium.<br />

30 <strong>Innovation</strong> <strong>Special</strong> <strong>Planetariums</strong> 9, 2012<br />

When the sun sets in the planetarium,<br />

slowly sparkling stars and the softly<br />

shimmering band of the Milky Way<br />

populate the dark blue sky, and the<br />

beholder is immersed in a world far<br />

away from the shrill and hectic routine<br />

of everyday life. It is the peace and quiet<br />

of a night in the mountains or in the<br />

endless expanse of a lonely desert, or<br />

the fairy-tale ambience of a Scandinavian<br />

forest. The planetarium shows us a<br />

sky that amazes and surprises us with its<br />

magnificent beauty.<br />

The Dome Matadors<br />

I first saw the Radebeul Planetarium<br />

from the inside in 1976 as a member<br />

of the Young Astronomers’ Working<br />

Group. At that time, at the center of the<br />

dome there was an ZKP 1 projector by<br />

<strong>Carl</strong> <strong>Zeiss</strong>. For us guys it was enormous<br />

fun when, unobserved, we could turn<br />

the daily cycle onto full speed, lean back<br />

in our seats, look up, and literally get<br />

butterflies in our stomachs. That went<br />

on until a little man in his mid-seventies<br />

came into the room, gave us a reprimanding<br />

look, and then got down to<br />

brass tacks, or, more accurately, to the<br />

stars in the sky of the evening in question.<br />

From this moment on we were<br />

totally spellbound and listened attentively<br />

to his every word, for he explained<br />

things with such devotion and such<br />

knowledge, with highly accurate wording<br />

that described the celestial bodies<br />

and their motions to the fullest possible<br />

extent. Everything about him perfectly<br />

matched a presentation about the stars,<br />

and nothing was reminiscent of today’s<br />

planetarium shows. I wonder whether<br />

today he would still find his public in<br />

the Planetarium. That first projector was<br />

followed by a ZKP 2 with a reasonable<br />

night sky and significantly expanded<br />

representation options compared to<br />

its predecessor. Operation was simple<br />

and clear. After 27 years of service, the<br />

instrument was literally worn out, and<br />

a new one had to be acquired. It was<br />

clear that the replacement should be<br />

an opto-mechanical projector, as digital<br />

systems are unsatisfactory, especially<br />

when it comes to star representations.<br />

Night sky par excellence<br />

For the last six months, a SKYMASTER<br />

ZKP 4, the latest development from <strong>Carl</strong><br />

<strong>Zeiss</strong>, has been operating in the dome of<br />

the planetarium. The first impression of<br />

the sky dome is overwhelming. The stars<br />

appear to be small points, sharply imaged<br />

over all areas of the projection surface<br />

onto a jet-black background. The<br />

celestial bodies get their light only from<br />

a high performance LED. The instrument<br />

at Radebeul is the first worldwide<br />

to be equipped with this technology.<br />

The brightness gradations are very fine.<br />

Many important stars are shown in their<br />

natural colors. What is very pleasant<br />

is that the colors can be clearly identi-

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