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New meanings of Panafricanism in the era of globalisation

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knowledge produc<strong>in</strong>g systems (see Hontoundji 2002) is a global question, not one that is<br />

peculiar to <strong>the</strong> African cont<strong>in</strong>ent. Odora Hoppers (2002:15-16) puts <strong>the</strong> matter most<br />

trenchantly:<br />

If development is endogenous … <strong>the</strong>n <strong>the</strong> people are <strong>the</strong> subject.<br />

They are not trapped <strong>in</strong> <strong>the</strong> cold condescend<strong>in</strong>g gaze <strong>of</strong> <strong>the</strong> rich<br />

upon <strong>the</strong> poor, because endogenous development beg<strong>in</strong>s at <strong>the</strong> po<strong>in</strong>t<br />

where people start to pride <strong>the</strong>mselves as worthy human be<strong>in</strong>gs<br />

<strong>in</strong>ferior to none: and where such pride is lost, development beg<strong>in</strong>s at<br />

<strong>the</strong> po<strong>in</strong>t at which this pride is restored, and history recovered.<br />

Yet <strong>the</strong> confluence between modern scientific knowledge, wealth<br />

and power cont<strong>in</strong>ues to privilege <strong>the</strong> exogenous model <strong>of</strong><br />

development … It cannot be said enough that rural people’s<br />

knowledge and modern scientific knowledge are complementary <strong>in</strong><br />

<strong>the</strong>ir strengths and weakness. Comb<strong>in</strong>ed, <strong>the</strong>y can achieve what<br />

nei<strong>the</strong>r would alone ….<br />

It is <strong>in</strong> <strong>the</strong> doma<strong>in</strong> <strong>of</strong> culture that some <strong>of</strong> <strong>the</strong> first and, <strong>in</strong>cidentally, <strong>the</strong> direction-f<strong>in</strong>d<strong>in</strong>g<br />

<strong>in</strong>itiatives will be engendered. It is <strong>the</strong> writers, poets, musicians, sculptors, architects, <strong>in</strong><br />

short, <strong>the</strong> artists <strong>of</strong> Africa, those whom Ngugi calls <strong>the</strong> “keepers <strong>of</strong> memory”, who need<br />

to serve as <strong>the</strong> bridge between an African past that is <strong>in</strong> every sense <strong>of</strong> <strong>the</strong> word<br />

<strong>in</strong>creas<strong>in</strong>gly acknowledged as “<strong>the</strong> cradle <strong>of</strong> civilisation” and a future that is at one and<br />

<strong>the</strong> same time <strong>in</strong>dubitably global as well as dist<strong>in</strong>ctively African. What is needed is no<br />

less than a fundamental shift <strong>in</strong> consciousness or <strong>in</strong> <strong>the</strong> habits <strong>of</strong> m<strong>in</strong>d <strong>of</strong> <strong>the</strong> peoples <strong>of</strong><br />

<strong>the</strong> cont<strong>in</strong>ent. Such a shift is only possible through <strong>the</strong> creations <strong>of</strong> art. In <strong>the</strong> best <strong>of</strong> all<br />

possible worlds, <strong>the</strong> artistic imag<strong>in</strong>ation forecasts <strong>the</strong> storms as well as <strong>the</strong> beautiful days<br />

that are yet to come. Innovative, parameters-shift<strong>in</strong>g work is be<strong>in</strong>g performed <strong>in</strong> doma<strong>in</strong>s<br />

such as music, dance, sculpture, lit<strong>era</strong>ture, applied language studies, historical l<strong>in</strong>guistics,<br />

<strong>in</strong>clud<strong>in</strong>g <strong>the</strong> amaz<strong>in</strong>g rediscovery <strong>of</strong> <strong>the</strong> Timbuktu archives, <strong>in</strong> which South African<br />

historians and scholars are play<strong>in</strong>g a significant role.<br />

My own example derives from <strong>the</strong> sphere <strong>of</strong> language policy. The hegemony <strong>of</strong> three<br />

European languages – English, French and Portuguese – <strong>in</strong> “<strong>in</strong>dependent” Africa is a<br />

measure <strong>of</strong> <strong>the</strong> depth <strong>of</strong> <strong>the</strong> colonised m<strong>in</strong>d. It is also a measure <strong>of</strong> <strong>the</strong> class character <strong>of</strong><br />

<strong>the</strong> African states because it is only middle-class people who are able to ga<strong>in</strong> from <strong>the</strong><br />

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