KODAK T-MAX Professional Films - 125px

*
LOG SENSITIVITY
KODAK T-MAX 100 Professional Film / TMX
2.0
1.0
0.0
1.0
2.0
250 300
Spectral-Sensitivity Curves
1.0 greater than D-min
0.3 greater than D-min
Effective Exposure: 1.4 seconds
Process: KODAK Developer D-76,
68 F (20 C)
Densitometry: Diffuse visual
350 400 450 500 550 600 650
WAVELENGTH (nm)
*Sensitivity = reciprocal of exposure (ergs/cm ) required
to produce specified density
F002_0547AC
RESPONSE (%)
200
100
70
50
30
20
F002_0542AC
Modulation Transfer Curve
2
700 750
10
7
5
Exposure: Tungsten
3 Process: Small Tank
2
1
KODAK Developer D-76, 68 F (20 C)
Densitometry: Diffuse visual
1 2 3 4 5 10 20 50 100 200 600
SPATIAL FREQUENCY (cycles/mm)
KODAK T-MAX 400 Professional Film / TMY
Spectral-Sensitivity Curves*
0.3 greater than D-min
1.0 greater than D-min
1.0
Effective Exposure: 1.4 seconds
Process: KODAK Developer D-76, 68 F (20 C)
Densitometry: Diffuse visual
2.0
250 300 350 400 450 500 550 600 650 700 750
WAVELENGTH (nm)
2
*Sensitivity = reciprocal of exposure (ergs/cm ) required
F002_0511AC
to produce specified density
Modulation Transfer Curve
*The blue sensitivity of KODAK T-MAX 100 and 400 Professional
Films is slightly less than that of other Kodak panchromatic
black-and-white films. This enables the response of these films to
be closer to the response of the human eye. Therefore, blues may be
recorded as slightly darker tones with these films–a more natural
rendition.
14 KODAK T-MAX Professional Films • F-32
LOG SENSITIVITY*
RESPONSE (%)
2.0
1.0
0.0
200
100
70
50
30
20
10
7
5
3
2
1
Exposure: Tungsten
Process: Small tank
KODAK Developer D-76, 68 (20 C)
Densitometry: Diffuse visual
1 2 3 4 5 10 20 50 100 200 600
SPATIAL FREQUENCY (cycles/mm)
F002_0506AC