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Annoted Cover 2010-full-correct spine.indd - Penguin Group

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Rights of Man<br />

Edited with an Introduction by<br />

Eric Foner and Notes by Henry Collins<br />

Written in reply to Burke’s Reflections on<br />

the Revolution in France, Paine’s Rights<br />

of Man enshrines the radical democratic<br />

attitude in its purest form.<br />

288 pp. 978-0-14-039015-5 $9.95<br />

The Thomas Paine Reader<br />

Edited with an Introduction by<br />

Michael Foot and Isaac Kramnick<br />

This collection focuses on Paine as the<br />

political theorist who was an inspiration<br />

to Americans in their struggle for<br />

independence, a great defender of<br />

individual rights, and the most incendiary<br />

of radical writers.<br />

544 pp. 978-0-14-044496-4 $16.00<br />

See The Portable Enlightenment Reader.<br />

dorothy parKer<br />

1893 – 1967, american<br />

The Portable Dorothy Parker<br />

Edited and with an Introduction by<br />

Marion Meade<br />

<strong>Cover</strong> art by Seth<br />

For this brand new twenty–first–century<br />

edition, devoted admirers can be sure to<br />

find their favorite of verses and stories by<br />

Mrs. Parker as well as a variety of fresh<br />

material including a selection of articles,<br />

letters, and Dorothy Parker’s own selfportrait.<br />

640 pp. 978-0-14-303953-2 $17.00<br />

<strong>Penguin</strong> Classics Deluxe Edition<br />

dorothy parKer<br />

Dorothy Parker was born in Long Branch, New Jersey, in 1893 and grew up in<br />

New York, attending a Catholic convent school, and later Miss Dana’s School<br />

in Morristown, New Jersey. In 1916 she sold some of her poetry to the editor of<br />

Vogue, and was subsequently given an editorial position on the magazine, writing<br />

captions for fashion photographs and drawings. She then became drama critic<br />

of Vanity Fair and the central figure of the celebrated Algonquin Round Table.<br />

Famous for her spoken wit and closely associated with modern urbane humor,<br />

she showed the same trenchant commentary and concentration of judgments in<br />

her book reviews for the New Yorker and Esquire and in her poems and sketches.<br />

p e n g u i n c l a s s i c s 183

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