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“A clear, comprehensive look at a murky business.”<br />

—The Wall Street Journal<br />

978-0-452-29808-8 • U.S. $17.00 / $18.00 CAN.<br />

Music / Business<br />

5 1/2” x 8 7/16” • 400 pages<br />

Rights: W00<br />

First Serial, Audio, UK: Plume<br />

Agent: Acacia House Publishing <strong>Services</strong><br />

Pub History: ECW Press HC, 978-1-55490-941-4<br />

Also available as an e-book<br />

On Sale: 4/24/12<br />

■■this edition will include a new final chapter that<br />

documents the industry’s recent developments and<br />

artists’ reactions and responses<br />

suGGesteD oRDeR<br />

Dean budnick and Josh baron<br />

ticket masters<br />

the Rise of the concert industry and<br />

How the Public Got scalped<br />

Ticket Masters sheds light upon the complex relationships between artists,<br />

promoters, ticketing agents, and the public like no other book on the shelves.<br />

the authors chronicle the as-yet-untold story of the modern concert industry,<br />

revealing the origins, development, and ongoing strategies of companies<br />

such as ticketmaster, live nation, and stubHub and the efforts of numerous<br />

independent competitors. With over a hundred exclusive inter<strong>view</strong>s along with<br />

many previously unreleased documents, this character-driven book explores<br />

the actions and impact of the iconoclasts guiding these companies while folding<br />

in related tales of scalping syndicates, old-school music promoters, and wouldbe<br />

internet tycoons along with the brash business decisions of such worldrenowned<br />

groups as the Grateful Dead, Pearl Jam, and the Rolling stones.<br />

this book answers the questions:<br />

• How and why do concerts sell out so fast?<br />

• Why do service fees vary on tickets to the same event?<br />

• Why isn’t ticketmaster considered an illegal monopoly?<br />

• and just how did ticket prices get so high, anyway?<br />

“Fascinating.” —Rolling Stone<br />

■■National Print Re<strong>view</strong> and Feature Attention<br />

■■Online Re<strong>view</strong>s and Features<br />

■■Online Promotions<br />

dean budnick is the executive editor of Relix magazine and the founder<br />

of Jambands.com. He holds a Ph.D. from Harvard and a J.D. from columbia<br />

law school. josh baron is the editor in chief of Relix magazine and<br />

contributes to a variety of media outlets including new york city–based 15<br />

radio station WPuV, where he serves as a music re<strong>view</strong>er.<br />

m ay • P l u m e<br />

PLUME

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