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The award-winning CIA thriller by “a uniquely<br />

gifted, passionate, and powerful writer”<br />

(Alan Furst)<br />

R. J. Ellory’s latest paperback is his most timely, menacing<br />

serial killer novel yet. As in his globally acclaimed A<br />

Quiet Belief in Angels, it is a stunning work of suspense<br />

guaranteed to keep the reader awake at night. Set in<br />

Washington, embroiled in elections, it follows Detective<br />

Robert Miller as he is assigned to an unsettling murder<br />

case. He finds a serious complication: the victims do not<br />

officially exist. Their personal details do not register on<br />

any known systems. And as Miller unearths ever more<br />

disturbing facts, he starts to face truths about the corrupt<br />

world he lives in—truths so far removed from his own<br />

reality that he begins to fear for his life.<br />

As CrimeSquad described it, “this is a book with everything<br />

that a fan of modern mystery fiction could hope for: a<br />

labyrinthine plot, unbearable tension, controvery, and a<br />

social conscience.”<br />

Praise for the work of R.J. Ellory<br />

“A beautifully written novel that is also a<br />

great mystery.” —James Patterson<br />

“The master of the genre.” —Clive Cussler<br />

“A police procedural thus shifts into a<br />

conspiracy thriller and historical exposé …<br />

Powerful scenes and vivid images.”<br />

—Wall Street Journal<br />

“A masterful exercise in suspense . . . This<br />

one will keep you uplate reading, and then<br />

you won’t be able to sleep.”<br />

—John Lutz, New York Times bestselling<br />

author of Mister X<br />

“A rich, powerful, evocative novel of great<br />

psychological depth.”<br />

—Jonathan Kellerman<br />

It is then that Catherine hears something. She thinks to turn, but doesn’t dare. A sudden rush<br />

of something in the base of her gut. Wants to turn now. Wants so desperately to turn around<br />

and look him square in the face, but knows that if she does this she will break down, she<br />

will scream and cry and plead for this to happen some other way, and it’s too late now, too<br />

late to go back . . . too late after everything that’s happened, everything that they’ve done,<br />

everything they’ve learned and what it all meant . . .<br />

suGGesteD oRDeR<br />

J u ly • o V e R l o o k<br />

101

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