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118<br />

JOHN O’HARA<br />

BUtterfield 8<br />

Introduction by Lorin Stein<br />

A masterpiece of American fiction and a bestseller<br />

upon its publication in 1935, BUtterfield 8 lays bare<br />

the unspoken and often shocking truths that lurked<br />

beneath the surface of a society still reeling from the<br />

effects of the Great Depression. Made into an Oscar–<br />

winning film starring Elizabeth Taylor and inspired by<br />

true events, this brashly honest tale caused a sensation<br />

for its frank depiction of the relationship between a wild<br />

and beautiful young woman and a respectable married<br />

man.<br />

The New York Stories<br />

Edited with an Introduction by Steven Goldleaf<br />

Foreword by E. L. Doctorow<br />

Collected for the first time, here are the New York stories<br />

of one of the twentieth century’s definitive chroniclers<br />

of the city—the speakeasies and highballs, social<br />

climbers and cinema stars, mistresses and powerbrokers,<br />

unsparingly observed by a popular American master<br />

of realism. Spanning his four-decade career, these<br />

more than thirty refreshingly frank, sparely written<br />

stories are among John O’Hara’s finest work, exploring<br />

the materialist aspirations and sexual exploits of<br />

flawed, prodigally human characters and showcasing<br />

the snappy dialogue, telling details and ironic narrative<br />

twists that made him the most-published short story<br />

writer in the history of the New Yorker.<br />

“ I binge on his collections the way some people<br />

binge on Mad Men, and for some of the same<br />

reasons.” —Lorin Stein, editor of the<br />

Paris Re<strong>view</strong><br />

“ [O’Hara is] a man who knows exactly what<br />

he is writing about and has written it<br />

marvelously well.” —Ernest Hemingway<br />

“ Among the greatest short story<br />

writers in English, or in any other<br />

language . . . [O’Hara helped] to invent<br />

what the world came to call the New Yorker<br />

short story.” —Brendan Gill, in Here at the<br />

New Yorker<br />

“ O’Hara practices the classic form of the<br />

modern short story developed by Joyce and<br />

perfected by Hemingway. . . . His coverage is<br />

worthy of a Balzac.” —E. L. Doctorow, from the<br />

Foreword to The New York Stories<br />

John o’haRa (1905–1970) was one of the most prominent American<br />

writers of the twentieth century. Championed by Ernest Hemingway,<br />

F. Scott Fitzgerald, and Dorothy Parker, he wrote fourteen novels; his first,<br />

Appointment in Samarra, received instant acclaim and launched him to<br />

prominence at the age of twenty-nine. O’Hara had more stories published in<br />

the New Yorker than anyone in the history of the magazine.<br />

steven golDleaf is a professor of English literature at Pace<br />

University and the author of John O’Hara: A Study of Short Fiction. He lives in<br />

New York City.<br />

e. l. DoCtoRow, one of America’s most acclaimed living writers, is<br />

the author of such novels as Ragtime, The March, and Homer & Langley and<br />

the recipient of the National Book Award, three National Book Critics Circle<br />

Awards, two PEN/Faulkner Awards, and the National Humanities Medal. He<br />

lives in New York City.<br />

loRin stein is the editor of the Paris Re<strong>view</strong> and has written for<br />

the New York Re<strong>view</strong> of Books, Harper’s, the New Republic,<br />

and the London Re<strong>view</strong> of Books. He lives in New York City.<br />

“<strong>Penguin</strong> Classics Presents” event<br />

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