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118<br />
JOHN O’HARA<br />
BUtterfield 8<br />
Introduction by Lorin Stein<br />
A masterpiece of American fiction and a bestseller<br />
upon its publication in 1935, BUtterfield 8 lays bare<br />
the unspoken and often shocking truths that lurked<br />
beneath the surface of a society still reeling from the<br />
effects of the Great Depression. Made into an Oscar–<br />
winning film starring Elizabeth Taylor and inspired by<br />
true events, this brashly honest tale caused a sensation<br />
for its frank depiction of the relationship between a wild<br />
and beautiful young woman and a respectable married<br />
man.<br />
The New York Stories<br />
Edited with an Introduction by Steven Goldleaf<br />
Foreword by E. L. Doctorow<br />
Collected for the first time, here are the New York stories<br />
of one of the twentieth century’s definitive chroniclers<br />
of the city—the speakeasies and highballs, social<br />
climbers and cinema stars, mistresses and powerbrokers,<br />
unsparingly observed by a popular American master<br />
of realism. Spanning his four-decade career, these<br />
more than thirty refreshingly frank, sparely written<br />
stories are among John O’Hara’s finest work, exploring<br />
the materialist aspirations and sexual exploits of<br />
flawed, prodigally human characters and showcasing<br />
the snappy dialogue, telling details and ironic narrative<br />
twists that made him the most-published short story<br />
writer in the history of the New Yorker.<br />
“ I binge on his collections the way some people<br />
binge on Mad Men, and for some of the same<br />
reasons.” —Lorin Stein, editor of the<br />
Paris Re<strong>view</strong><br />
“ [O’Hara is] a man who knows exactly what<br />
he is writing about and has written it<br />
marvelously well.” —Ernest Hemingway<br />
“ Among the greatest short story<br />
writers in English, or in any other<br />
language . . . [O’Hara helped] to invent<br />
what the world came to call the New Yorker<br />
short story.” —Brendan Gill, in Here at the<br />
New Yorker<br />
“ O’Hara practices the classic form of the<br />
modern short story developed by Joyce and<br />
perfected by Hemingway. . . . His coverage is<br />
worthy of a Balzac.” —E. L. Doctorow, from the<br />
Foreword to The New York Stories<br />
John o’haRa (1905–1970) was one of the most prominent American<br />
writers of the twentieth century. Championed by Ernest Hemingway,<br />
F. Scott Fitzgerald, and Dorothy Parker, he wrote fourteen novels; his first,<br />
Appointment in Samarra, received instant acclaim and launched him to<br />
prominence at the age of twenty-nine. O’Hara had more stories published in<br />
the New Yorker than anyone in the history of the magazine.<br />
steven golDleaf is a professor of English literature at Pace<br />
University and the author of John O’Hara: A Study of Short Fiction. He lives in<br />
New York City.<br />
e. l. DoCtoRow, one of America’s most acclaimed living writers, is<br />
the author of such novels as Ragtime, The March, and Homer & Langley and<br />
the recipient of the National Book Award, three National Book Critics Circle<br />
Awards, two PEN/Faulkner Awards, and the National Humanities Medal. He<br />
lives in New York City.<br />
loRin stein is the editor of the Paris Re<strong>view</strong> and has written for<br />
the New York Re<strong>view</strong> of Books, Harper’s, the New Republic,<br />
and the London Re<strong>view</strong> of Books. He lives in New York City.<br />
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