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0404 Owner's Manual - Creative

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Speaker Simulator<br />

The Speaker Simulator provides realistic guitar speaker responses and is designed for use<br />

with guitar, bass or synthesizer. Twelve popular guitar amp speaker cabinets are<br />

modeled.<br />

There is only one parameter on this effect. Just select the speaker you want and listen.<br />

Normally this effect should be used with the Mix control set to 100%.<br />

Speaker Type Description<br />

British Stack 1 & 2 Modeled from a British 8-speaker high power amplifier stack.<br />

British Combo 1-3 Modeled from a British 2-speaker combo amplifier.<br />

Tweed Combo 1-3 Modeled from an American, 1950’s era, 2-speaker combo amplifier.<br />

2 x 12 Combo Modeled from an American, 1960’s era, 2-speaker combo amplifier.<br />

4 x 12 Combo Modeled from an American, 1960’s era, 4-speaker amplifier set.<br />

Metal Stack 1 & 2 Modeled from a modern era, power amplifier stack.<br />

Stereo Delay 100<br />

The Stereo Delay 100 offers a true stereo delay line in that the left and right channels are<br />

kept entirely separate from each other. This effect has a maximum delay of 100 milliseconds,—perfect<br />

for slapback, doubling and stutter effects.<br />

Because the left and right channels can have different delay times, you can create a<br />

panning effect by setting one delay long and the other short. Very short delay times<br />

combined with a high feedback amount can be used to create monotone roboticsounding<br />

effects.<br />

In<br />

Signal path = Stereo<br />

HF<br />

Rolloff<br />

L Delay<br />

Time<br />

Parameter Description<br />

Feedback<br />

Delay<br />

R Delay<br />

Time<br />

Out<br />

Left Delay Time Sets the length of the delay for the left channel from 0-100 ms.<br />

Right Delay Time Sets the length of the delay for the right channel from 0-100 ms.<br />

Feedback Sets the amount of delayed signal that will be recirculated through<br />

the delay line.<br />

High Freq. Rolloff Damps high frequencies in the feedback path.<br />

5 - Effects<br />

Core Effects Descriptions<br />

E-MU Digital Audio System 49

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