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P. Schmoldt, PhD - MTNet - DIAS

P. Schmoldt, PhD - MTNet - DIAS

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Acknowledgements<br />

In the course of composing a work with the extent of a <strong>PhD</strong> thesis one cannot avoid to<br />

meet lots of great, interesting, and inspiring people during the time it takes to complete it.<br />

This Chapter is to express my sincere thanks to all these people and to record their names<br />

for everyone to read (personal thanks will also be given to the people in, well, person).<br />

Multiple entries are herein explicitly intended. Following the advice of Stephen Benka<br />

(“It’s the audience, stupid”, meaning that content should be presented in the way that best<br />

suits the recipient) acknowledgements are given in the people’s respective language; at<br />

least for those languages that I found myself (more or less) able to communicate in —<br />

which effectively means that some of the sentences are in German and here and there a<br />

foreign word is interspersed.<br />

In general, acknowledgements follow no specific order —<br />

aber zu allererst moechte ich meiner Familie danken, meinen Grosseltern Herbert (der leider<br />

das Ende meiner Doktorarbeit nicht mehr erleben konnte) und Kaethe, meinen Eltern<br />

Josef und Monika, ihren Partnern Petra und Cora, sowie meinen Geschwistern Mareike<br />

und Johannes. Vielen Dank dass Ihr all die Zeit zu mir gestanden habt, mich immer<br />

wieder aufgebaut habt wenn ich es brauchte und mir die Möglichkeit gegeben habt eine<br />

Doktorarbeit anzufangen. Ohne euch hätte ich sie nicht zu Ende gebracht.<br />

I would further like to acknowledge funding of the PICASSO project, and through that<br />

my <strong>PhD</strong> scholarship, by the Science Foundation Ireland (SFI). I wish to acknowledge the<br />

SFI/HEA Irish Centre for High-End Computing (ICHEC) for the provision of computational<br />

facilities and support. I am thanking Alan G. Jones for promoting the PICASSO<br />

project, organising the SFI funding, offering me the <strong>PhD</strong> scholarship, and giving me the<br />

opportunity to work with scientists around the work and presenting my work on international<br />

meetings. Additional thanks go to Alan G. Jones and Colin Brown for their role as<br />

my supervisors.<br />

Special thanks also go to Xavi Garcia for constructive advise, guidance, and great<br />

inspiration during the first years of my <strong>PhD</strong>; and to Mark R. Muller, who despite his more<br />

than tight schedule always found time for patient and thorough explanations.<br />

Big thanks, grazie, gracias, and Dank go out to the whole PICASSO Phase I fieldwork<br />

xxxi

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