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[Sample B: Approval/Signature Sheet] - George Mason University

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the importance of reasonable human relationships. To my mind here lies the treacherous<br />

fallacy of the creed Lee Oswald embraced.” 107<br />

In the end, Ford and Stiles seemed to realize the difficulty in convincing the<br />

public that Oswald acted alone. The authors blamed many of the “rumors” of conspiracy<br />

on Oswald’s disbelieving mother, Marguerite, and on lawyer Mark Lane, who Marguerite<br />

wanted to represent the dead Oswald before the Warren Commission and would later<br />

become the godfather of conspiracy theorists with the bestselling critique of the<br />

Commission’s report, Rush to Judgment. Ford and Stiles admitted “In retrospect, the<br />

unbelievable coincidences that took place just couldn’t happen – and yet they did, with an<br />

inexorability that no playwright could expect an audience to believe.” 108 Where Ford<br />

and Stiles saw coincidence, others saw conspiracy, but the authors of Portrait of an<br />

Assassin were confident that the Warren Commission “will stand like a Gibraltar of<br />

factual literature through the ages to come.” 109<br />

Two writers – William Manchester and Jim Bishop – wrote popular histories that<br />

described hour-by-hour the events leading up to the assassination and its aftermath. Both<br />

accepted the Warren Commission’s findings and relied heavily on the report to write their<br />

books. Of the two, Manchester offered something new to the mix of Oswald’s motives,<br />

while Bishop emphasized the view of Oswald as a cipher who only committed the<br />

assassination to gain notoriety. Both writers also ran afoul of the Kennedy family.<br />

107 Ford and Stiles, 544.<br />

108 Ford and Stiles, 293.<br />

109 Ford and Stiles, 538.<br />

64

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