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[Sample B: Approval/Signature Sheet] - George Mason University

[Sample B: Approval/Signature Sheet] - George Mason University

[Sample B: Approval/Signature Sheet] - George Mason University

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INTRODUCTION: THE KENNEDY ASSASSINATION, AMERICAN CULTURE,<br />

AND LEE HARVEY OSWALD<br />

November 22nd, 1963. The day still haunts the American psyche and has left a<br />

deep imprint on American culture. More than 40 years after the assassination of<br />

President John F. Kennedy in Dallas, Texas, the tragedy continues to spark controversy<br />

and debate. Key questions remain in dispute, and a battle has taken place in American<br />

culture over the alleged assassin, the enigmatic former Marine Lee Harvey Oswald.<br />

Kennedy’s successor, Lyndon Baines Johnson, set up a commission chaired by Chief<br />

Justice Earl Warren to investigate the assassination after the murder of Oswald. The<br />

Warren Commission and its supporters claimed that Oswald was the sole assassin, and<br />

they described him in terms of a stock character of American culture, the anti-social<br />

psychopathic loner. This portrait resonated with the history of previous assassins and<br />

would-be assassins in the United States. As the chief counsel of the House Select<br />

Committee on Assassinations, G. Robert Blakey, pointed out, “The typical political<br />

assassin in the United States was a deranged, self-appointed savior, essentially a loner.” 1<br />

To the Warren Commission and its defenders, Oswald was a malcontent with a failed<br />

marriage and no other significant associations, a Marxist, and a little man who wanted to<br />

make himself great through a terrible deed.<br />

1<br />

G. Robert Blakey and Richard N. Billings, The Plot to Kill the President, (New York:<br />

Times Books, 1981), 372.<br />

1

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