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[Sample B: Approval/Signature Sheet] - George Mason University

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of a massive government plot. However, the focus on Garrison came at the cost of<br />

dealing with the New Orleans DA’s questionable tactics and suspect witnesses. In an<br />

ironical bit of casting, Stone had the real life Garrison portray Earl Warren on the screen.<br />

Stone’s film, which opened in December 1991, was a great success both at the<br />

box office and in the arena of public affairs. It sparked intense debate about the<br />

assassination. The film also led to the creation of a congressional-mandated panel to<br />

oversee the release of government documents about the assassination. The debate about<br />

JFK often involved the question, “who should speak about history and matters of public<br />

concern – journalists, historians, officials, or creative artists like Stone?” Some critics<br />

deplored the use of a popular medium to advance theories about a high-level government<br />

conspiracy. In the end, though, Stone presented a historical argument that many<br />

Americans found more believable than the lone assassin theory. JFK played a role in<br />

shaping public opinion – but it also reflected long-standing public skepticism about the<br />

Warren Commission report and its version of Oswald’s life.<br />

The debate over JFK began even before the film was finished and reached the<br />

theaters. Washington Post reporter <strong>George</strong> Lardner Jr. excoriated Stone based on a script<br />

of the film he obtained from assassination researcher Harold Weisberg. Weisberg, of<br />

course, had helped Garrison with his assassination investigation, but the two later parted<br />

ways over the way the DA was handling the case. Lardner deplored the “errors and<br />

absurdities, large and small” in the script. Lardner in particular criticized the way<br />

Ferrie’s death was depicted, and the elimination of witness Perry Russo with the<br />

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