02.08.2013 Views

[Sample B: Approval/Signature Sheet] - George Mason University

[Sample B: Approval/Signature Sheet] - George Mason University

[Sample B: Approval/Signature Sheet] - George Mason University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The film begins with archival footage of Eisenhower’s farewell speech in which<br />

he coined the phrase “military-industrial complex” and warned of the potential for it to<br />

exert “unwarranted influence” on the U.S. government. 685 A narrator – in documentary<br />

style – outlines the events of the Kennedy administration, including the Bay of Pigs, the<br />

Cuban Missile Crisis, and the conflict in Indochina. The narrator describes how Kennedy<br />

has brought a new, invigorating style to the White House and had been moving in the<br />

months leading up to the assassination of reaching an understanding with Fidel Castro<br />

and the Soviets, and ending the war in Vietnam. But, the narrator ominously notes that<br />

“Suspicions abound that Kennedy is ‘soft on Communism’” – setting up the apparent<br />

motive for the assassination. The audience hears the Kennedy’s famous peace speech at<br />

the American <strong>University</strong> in Washington in which he called on Americans to “examine<br />

our own attitudes towards the Soviet Union…For, in the final analysis, our most basic<br />

link is that we all inhabit this small planet. We all breathe the same air. We all cherish<br />

our children’s future. And we are all mortal.” 686 Such an appeal to common humanity<br />

would face opposition from those devoted to a black-and-white view of the Cold War.<br />

Family photographs of Kennedy, his wife, and young children are interspersed<br />

throughout to evoke an emotional response to the late president. But this ends with<br />

ominously as Kennedy’s plane lands in Dallas on November 22, 1963.<br />

685<br />

Zachary Sklar and Oliver Stone, “JFK: the Documented Screenplay,” JFK: The Book<br />

of the Films, (New York: Applause Books, 1992). The screenplay was revised somewhat<br />

in putting JFK on the screen, but all the scenes discussed in this paper occur in the video<br />

of the film, Oliver Stone, dir. JFK: Special Director’s Cut, 206 min., (Warner Home<br />

Video, 1991). The director’s cut includes some scenes that were not shown in the version<br />

shown in theaters.<br />

686<br />

Sklar and Stone, 5.<br />

301

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!