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[Sample B: Approval/Signature Sheet] - George Mason University

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This dissertation will delve into this “mazelike complexity” by examining the<br />

contested details of Oswald’s life. There is a huge amount of material on the<br />

assassination of John F. Kennedy, but there is no cultural history focusing on popular<br />

portrayals of Oswald. This study will not make an exhaustive study of all these works<br />

nor will it try to answer the question of who killed Kennedy. The forensic and other<br />

evidence related to the assassination will not be discussed, except as it relates to how<br />

Oswald is portrayed. Instead, this study will focus on some of the key works by the<br />

critics and supporters of the Warren Commission, works by important literary figures<br />

(Norman Mailer and Don De Lillo), and popular television shows and movies that portray<br />

Oswald (including The Trial of Lee Harvey Oswald, The Men Who Killed Kennedy, JFK,<br />

and Ruby). This study will cover all the important types of Oswald portrayals, and<br />

examine what these different interpretations can tell us about American culture in the<br />

decades after the assassination.<br />

In examining Oswald’s life, this study will cast a wide net over different genres,<br />

examining popular journalistic books and exposés about the assassination, as well as<br />

novels, films, and television shows from the time of the Warren Commission to the<br />

present. Works of culture are “texts” that have shaped public attitudes about the<br />

assassination. The official version of Lee Harvey Oswald’s life as described by the<br />

Warren Commission and its defenders will be compared with alternative cultural<br />

portrayals of the alleged assassin. The ideas of cultural anthropologist Clifford Geertz,<br />

have relevance to historians of culture. In his words, “Believing…man is an animal<br />

suspended in webs of significance he himself has spun, I take culture to be those webs,<br />

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