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Wimpfheimer_ Is it not so.pdf

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56 ❙ Barry <strong>Wimpfheimer</strong><br />

claiming to control the topic. By actually changing the topic, he enacts his claim<br />

while simultaneously making <strong>it</strong>. Rava creates in form what he has just tried to claim<br />

as content.<br />

Rava's response to his students recalls a<strong>not</strong>her passage in the Babylonian<br />

Talmud that elaborates on his pedagogic technique:<br />

For Rava²⁶ before he commenced [his discourse] to the scholars, used<br />

to say <strong>so</strong>mething humorous, and the scholars were amused; after that,<br />

he sat in awe and began the discourse. (Shabbat 30b)<br />

The intertext suggests add<strong>it</strong>ional ways in which the students' question threatens<br />

Rava's control. In our own text, which commenced w<strong>it</strong>h ``<strong>so</strong>mething humorous,'' the<br />

students hear Rava's law, uttered as he ``sat in awe,'' but respond to <strong>it</strong> bemusedly, as if<br />

continuing the humorous theme w<strong>it</strong>h which he opened. ``If a teacher is one such<br />

employee,'' they say, ``then you, Master, are loaned to us.'' By responding lightheartedly<br />

to his state of awe, the students wrest control of the lecture from Rava and<br />

revert to the opening mindset of the lecture. The students reject Rava's control and<br />

assert their own abil<strong>it</strong>y to control the currency by forcing the teacher to respond to<br />

their concerns. Rava responds by recognizing, in both the substance and the form,<br />

the way in which he himself is implicated in this discourseÐby responding to his<br />

students' attempt to reduce him to the mere teacher of his legal creation.<br />

The ``teacher'' in Rava's statement is a ``teacher of children''Ðan unprestigious<br />

member of the secondary intelligentsia.²⁷ Rava does <strong>not</strong> and will <strong>not</strong> view himself as<br />

such a ``teacher.'' He is a lecturer, a lawmaker, a creator, and an authorizerÐhe picks<br />

the topic because his intellectual presence is a force that the students and the law<br />

must reckon w<strong>it</strong>h. An artist mistaken for a caricaturist, Rava refuses to allow the<br />

mold to setÐto allow the law to lend imprimatur to the false contours of such a<br />

description. By changing the currency, he denies the <strong>so</strong>cietal and commercial<br />

parallels inherent in the compari<strong>so</strong>n between one teacher type and a<strong>not</strong>her. In<br />

reacting strongly against this innocent extension of law, he performatively demonstrates<br />

rabbinic anxieties and the speci®c fear that the shared task of teaching could<br />

diminish the hierarchical status of a rabbinic scholar.

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