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Wimpfheimer_ Is it not so.pdf

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80 ❙ Barry <strong>Wimpfheimer</strong><br />

35 The term vela hi has an intriguing history. Early Talmud cr<strong>it</strong>ics <strong>not</strong>ed the tendency<br />

for this term to end all dialogue and disagree w<strong>it</strong>h prior conclusions. This led to<br />

the assumption that <strong>so</strong>me, and for later cr<strong>it</strong>ics most, of these statements are later<br />

add<strong>it</strong>ions to the Talmud's text. A summary of early <strong>so</strong>urces can be found in<br />

Shamma Friedman, ``¦Al derekh eker hasugya,'' in Mekarim umekorot: Me¥asef<br />

lemadda¦ei hayahadut, ed. ¼aim Zalman Dim<strong>it</strong>rovsky (New York: Jewish Theological<br />

Seminary, 1977), 286 n. 14; Moshe Benov<strong>it</strong>z, ``Cr<strong>it</strong>ical Commentary to<br />

Chapter Shevu¦ot Shtayim Batra of the Babylonian Talmud'' (Ph.D. diss., Jewish<br />

Theological Seminary, 1993), 520, states succinctly that the term results from a<br />

period in which the formulated text is unchangeable and must be reacted to rather<br />

than changed. Here we are arguing that the stam does <strong>not</strong> change Rava's response,<br />

but protests this response through the usage of this term.<br />

36 In our parallel example, Freud seemingly retains the last word as the ed<strong>it</strong>or of Dora's<br />

case history. While Dora's voice is heard mutely against a loud Freudian backdrop,<br />

the decision to abandon treatment is psychoanalyzed as a fault of Dora's, <strong>not</strong> a<br />

shortcoming of Freud's. Freud's publisher, coming after Freud's ed<strong>it</strong>ing of Dora's<br />

story, parallels the stam in overcoming the controlling ego of the text's primary<br />

scholar. Freud's original t<strong>it</strong>le eliminates the subjectsÐDora and himselfÐand<br />

focuses on the object: ``Fragment of an Analysis of a Case of Hysteria.'' The publisher<br />

creates the more compelling t<strong>it</strong>le, Dora, and recognizes the relational author<br />

of the story, the analysand.<br />

37 Jacques Derrida, Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore:<br />

Johns Hopkins Univers<strong>it</strong>y Press, 1967), 158 and Din<strong>it</strong>ia Sm<strong>it</strong>h, ``Philo<strong>so</strong>pher<br />

Gamely in Defense of His Ideas,'' New York Times, 30 May 1998, B7: ``Mr. Derrida<br />

did <strong>not</strong> seem angry at having to de®ne his philo<strong>so</strong>phy at all; he was even<br />

smiling. `Everything is a text; this is a text,' he said, waving his arm at the diners<br />

around him in the bland suburbanlike restaurant, bl<strong>it</strong>hely picking at their lunches,<br />

completely unaware that they were being `deconstructed.'''<br />

38 Jacques Derrida, ``Structure, Sign and Play,'' in Richard Macksey and Eugenio<br />

Donato, eds., The Structuralist Controversy: The Languages of Cr<strong>it</strong>icism and the Sciences<br />

of Man (Baltimore: Johns Hopkins Univers<strong>it</strong>y Press, 1972), 264.<br />

39 It is possible that this clash is a replaying of the time-honored clash between Torah<br />

and Derekh Erets.<br />

40 See Sifre Devarim Piska 34.<br />

41 Two versions of this name circulated among the original textual w<strong>it</strong>nesses: Mar and<br />

Mari, though the latter had spellings w<strong>it</strong>h and w<strong>it</strong>hout an `. The names eventually<br />

appeared in the early printed ed<strong>it</strong>ions as consecutive words until Solomon ben

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