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Wimpfheimer_ Is it not so.pdf

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Toward a Poetics of Legal Narrative in the Talmud ❙ 73<br />

ashamed by the realization that <strong>so</strong>metimes the speaker may control the topic too<br />

muchÐto the point of missing issues that should be addressed, issues that other<br />

interpreters may <strong>not</strong>ice.<br />

In both narratives, the text's anonymous authorsÐthe anonymous narrator<br />

and the stamÐloom large.⁷⁷ The function of the stam in the ®rst story is mirrored<br />

by that of the anonymous narrator in the second. In the ®rst narrative, an arrogant<br />

Rava asserts author<strong>it</strong>y over his students. The stam actively undercuts such author<strong>it</strong>y<br />

by saying ``But <strong>it</strong> is <strong>not</strong> <strong>so</strong>.'' In the second narrative, a humbled Rava hides from the<br />

students who have outsmarted him. Here the narrator of Rava's shame resusc<strong>it</strong>ates<br />

Rava through an appeal outside of the lawÐan appeal to textual real<strong>it</strong>y. For <strong>it</strong> turns<br />

out that in a reinterpretation of Mar v. Bei ¼ozai, the owner was <strong>not</strong> su³ciently<br />

present to invoke the exoneration. Whereas the scenario in<strong>it</strong>ially appeared to the<br />

students and Rava (and the reader) as one in which the owner was assisting in the<br />

animal's loading, in actual<strong>it</strong>y the owner was actively contradicting the e²orts of the<br />

borrower by emerging to unload an overburdened animal. In altering the scenario,<br />

the narrator transforms Rava's erroneous judgment into a prophetic one. Though<br />

Rava was unaware of the correctness of his decision, his mistake is one of human<br />

justice, <strong>not</strong> of objective truth. In the end, his ruling, though hastily determined, is<br />

®tting for the scenario as <strong>it</strong> actually occurred. His embarrassment is erased as his<br />

mistake metamorphoses into omniscience. Whereas once his students could see<br />

what was hidden from him, now he can see what had been hidden from all.<br />

Upon closer examination, though, <strong>it</strong> is <strong>not</strong> Rava who is omniscientÐhe does<br />

<strong>not</strong> intentionally divine the correct ruling. Were this the case, he would <strong>not</strong> be<br />

ashamed. Rather, <strong>it</strong> is his rulingÐhis textÐthat is once again empowered. His<br />

statement in the ®rst narrative is employed by the stam in the impri<strong>so</strong>nment of <strong>it</strong>s<br />

creatorÐRava is in his students' service two months a year. His ruling here is<br />

employed by the narrator to liberate a quieted Rava. The redactor of these passages<br />

balances the statements of the stam and the work of the narrator, juxtaposing the<br />

two to undercut a victorious teacher and resurrect a fallen judge.<br />

The mirroring of two Rava narratives heightens the impact of each. Our ®rst<br />

narrative contains several replications of form and content that alert us to the<br />

impossibil<strong>it</strong>y of attaining a comfortable distance from our objects of study. That<br />

les<strong>so</strong>n is <strong>so</strong>lidi®ed in the second narrative as the distance between Rava and his

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