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Wimpfheimer_ Is it not so.pdf

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Table 2. Rava<br />

Decisive<br />

Factor<br />

1<br />

Owner<br />

Presence<br />

Mishnah<br />

Force<br />

majeure<br />

Toward a Poetics of Legal Narrative in the Talmud ❙ 65<br />

Rava’s<br />

Innovation<br />

1<br />

Force<br />

majeure<br />

because<br />

of work<br />

Mishnah<br />

Ordinary<br />

loss/theft<br />

Rava’s<br />

Innovation<br />

2<br />

Ordinary<br />

loss/theft<br />

w<strong>it</strong>h no<br />

unwarranted<br />

activ<strong>it</strong>y<br />

Decisive<br />

Factor<br />

2<br />

Negligence<br />

Rava’s<br />

Innovation<br />

3<br />

Negligence<br />

unrelated<br />

to loss<br />

Borrower Not liable Liable Not liable Liable Ð Liable Ð<br />

Renter Not liable Not liable Ð Liable Not liable Liable Ð<br />

Free<br />

Watchman<br />

Not liable Not liable Ð Not liable Ð Liable Not liable<br />

recording of an actual plea, and other times, more signi®cantly, in Rava's articulation<br />

of such a plea on behalf of the theoretical weaker party.⁶⁴ Held up to this light,<br />

our narrative comes into stronger focus. This case represents <strong>not</strong> only a clash of<br />

formal principlesÐowner presence and negligenceÐbut a clash of ideals of<br />

adjudicationÐempathic lenience and immediate causal<strong>it</strong>y. In this case of fundamental<br />

clashes, Rava deviates from his pattern of leniency to rule stringently against<br />

Bei ¼ozai. Upon questioning, Rava is ashamed.<br />

Deconstructive readings are perhaps most compelling when they revivify texts<br />

by resusc<strong>it</strong>ating silenced portions of context. The act of reading against the grainÐ<br />

against the force of narrationÐis compul<strong>so</strong>ry when the context suggests that the<br />

narrator, in forming the text, doth protest too much. W<strong>it</strong>hin our passage, Rava's<br />

shame stands at the heart of this narration.<br />

Shame is a human and emotional response. It has re<strong>so</strong>nance beyond that of the<br />

cold statute or dry legal history. It transforms judgment, ordinarily seen as<br />

calculating and imper<strong>so</strong>nal, into an instance of poignant human relationship and<br />

response. A judge can be an errant teacher. Shame embraces the reader, encouraging<br />

an empathy that transports the reader into the story. We are drawn into Rava's<br />

courtroom because his shame is humanly familiar. The rar<strong>it</strong>y of a shame narrative in<br />

the Talmud piques our curios<strong>it</strong>y, drawing us closer.⁶⁵<br />

Trad<strong>it</strong>ional scholars since the stam have understood Rava's shame as proof of<br />

his students' legal vindication. In <strong>so</strong> doing, they pretend that Rava had never

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