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FILM FILM - University of Macau Library

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80 Transition and Transformation<br />

Mojave Desert. Given 120–degree temperatures and nine wind machines whipping<br />

up the sand that was the visually most distinctive feature <strong>of</strong> the film, it was<br />

an extraordinarily taxing ordeal. Gish later called it “one <strong>of</strong> my worst experiences<br />

in filmmaking”. 7 (FIG. 13)<br />

Fig. 13: 120-degrees temperatures and wind machines: according to Lillian Gish<br />

“one <strong>of</strong> my worst experiences in filmmaking” (The Wind).<br />

The Wind was shot as a silent film, but it opened too late (23 November 1928)to<br />

be wholeheartedly received as such by the critics and public. The talkies had<br />

just made their breakthrough (The Jazz Singer was first shown in 1927). This<br />

general reluctance towards the film probably had other reasons as well, such as<br />

the sombre story; that the producer Irving Thalberg considered it a risky project<br />

is revealed by a telegram to Sjöström where he gives instructions in order to try<br />

to save its commercial potential:<br />

After careful discussion with Frances and getting opinion <strong>of</strong> several people definitely<br />

[sic] decided we must have Hanson clean shaven from time <strong>of</strong> her washing dishes on<br />

to finish <strong>of</strong> picture otherwise there will be no conviction <strong>of</strong> growing romance and<br />

certainly no audience desire to see it come about stop we are taking enough chances

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