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Contents Acknowledgements 7 Introduction – From Sjöström to Seastrom 9 Sjöström – From National to International 17 Lyrical Intimacy as Authorial Style 20 National or International in Public Debate 22 American Voices on Sjöström 24 A European in Hollywood – Name the Man and the Shift of Production Systems 27 Production Cultures 30 Contaminating Hollywood 32 Stylistic Variations 38 From Scientist to Clown – He Who Gets Slapped 43 Sjöström as Hollywood Scriptwriter 47 Traces of the Narrator 49 The Symbolic Clown 51 Transformed Identities 53 The Question of Whitefacing 55 He, the Clown 60 AforAdultery– The Scarlet Letter 63 Hester Prynne and the Spectacle 66 An Aesthetics of Light 69 Stylistic Devices 74 Conquering Nature – The Wind 79 Landscape of the Origins 83 Framing the Wind 85 Shattering the Frame 87 From Physical Space to Mental Space 90 The Final Crossover 93 Fragmented Pieces – Writing the History of the Lost Hollywood Films 99 Authorial Imprints: Confessions of a Queen 100 Lagerlöf in Hollywood: The Tower of Lies 105 The Divine Woman – From Bernhardt to Garbo 109
6 Transition and Transformation A Strange Interlude: The Masks of the Devil 112 The Shadow of the Silents – ALady to Love 119 One Film, Two Versions 120 The Transition to Sound 124 The Transition from Silents 128 Europeans in Hollywood 131 TheGeniusandtheSystem– Some Concluding Remarks 133 Notes 137 Bibliography 149 Filmography 153 Index 155
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Film Culture in Transition General
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Marijke de Valck and Malte Hagener
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