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Bibliography 151 Lunde, Arne, Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema, Seattle: University of Washington Press, 2010 Maltby, Richard, Daniel Biltereyst and Philippe Meers, eds, Explorations in New Cinema History: Approaches and Case Studies, Sussex: Wiley-Blackwell, 2011 Marion, Frances, Off with their Heads: A Serio-Comic Tale of Hollywood, New York: The Macmillan Company, 1972 Nizhny, Vladimir, Lessons with Eisenstein, translated and edited by Ivor Montagu and Jay Leyda, New York: Da Capo Press, 1979 Olsson, Jan, “Förlorade attraktioner, klassiska närbilder, Anteckningar kring ett gränssnitt”, Aura, vol 2,no1-2, 1996 Pensel, Hans, Seastrom and Stiller in Hollywood: Two Swedish Directors in Silent American Films, 1923-1930, New York: Vantage Press, 1969 Petrie, Graham, Hollywood Destinies: European Directors in America, 1922-1931, revised edition, Detroit, MI: Wayne State University Press, 2002 Projansky, Sarah, “The Elusive/Ubiquitous Representation of Rape: A Historical Survey of Rape in U.S. Film, 1903-1972”, Cinema Journal, vol 41,no1, Fall 2001. Robinson, Edward G., All My Yesterdays, New York: Signet, 1975 Rossholm, Anna Sofia, Reproducing Languages, Translating Bodies: Approaches to Speech, Translation and Cultural Identity in Early European Sound Film, Stockholm: AUS, 2006 Roth-Lindberg, Örjan, “Den bedrägliga bilden. Om den visuella fantasin i Victor Sjöströms He Who Gets Slapped”, Chaplin 196, vol 27,no1, 1985 —, “Den dolda spegeln. Victor Sjöströms berättarkonst i The Scarlet Letter”, Chaplin 194- 195, vol 25,no5-6, 1984 —, “En värld av masker”, Chaplin 197, vol 27,no2, 1985 —, “The Deceptive Image: On the Visual Fantasy in Victor Sjöström’s He Who Gets Slapped”, Chaplin, 25th anniversary issue, 1984 Sadoul, Georges, Histoire générale du cinema, Le cinéma devient un art, 1909-1920, Paris: Denoël, 1952 Saunders, Thomas S., Hollywood in Berlin: American Cinema and Weimar Germany, Berkeley: University of California Press, 1994 Scarborough, Dorothy, The Wind [1850], London: Penguin Books, 1970 Schatz, Thomas, The Genius of the System: Hollywood Film-Making in the Studio Era, London: Faber & Faber, 1996 Schatz, Thomas and Alisa Perren, “Hollywood”, in John Downing, Denis McQuail and Philip Schlesinger, eds, The Sage Handbook of Media Studies, London: Sage, 2004 Staiger, Janet, Interpreting Films: Studies in the Historical Reception of American Cinema, Princeton, NJ: Princeton University Press, 1992 Starobinski, Jean, Portrait de l’artiste en saltimbanque, Genf: Skira, 1985 Stoddart, Helen, Rings of Desire: Circus History and Representation, Manchester: Manchester University Press, 2000 Thompson, Kristin, “Early Alternatives to the Hollywood Mode of Production”, Film History, vol5,no4, 1993 —, Herr Lubitsch Goes to Hollywood: German and American Film After World War I, Amsterdam: Amsterdam University Press, 2005 —, “National or International Films? The European Debate during the 1920s”, Film History, vol 8,no3, 1996
152 Transition and Transformation —, “The Rise and Fall of Film Europe”, in Andrew Higson and Richard Maltby, eds, “Film Europe” and “Film America”: Cinema, Commerce and Cultural Exchange, 1920-1939, Exeter: University of Exeter Press, 1999 Thompson, Kristin and David Bordwell, Film History: An Introduction, 3rd ed., Boston: McGraw-Hill, 2010 Thomson C. Claire, ed, Northern Constellations: New Readings in Nordic Cinema, Norwich: Norvik Press 2006 Tumbleson, Ray, “Potboiler Emancipation and the Prison of Pure Art: Clarissa, The Wind and Surviving Rape”, Literature/Film Quarterly, vol 25,no3, July 1997 Wassermann, Jacob, Erwin Reiners Masker, Stockholm: Aktiebolaget Ljus, 1910 Weinberg, Herman G., The Lubitsch Touch: A Critical Study, New York: Dover Publications, 1977 Werner, Jeff, Medelvägens estetik, Sverigebilder i USA, Del 2, Hedemora/Möklinta: Gidlunds förlag, 2008 Wredlund, Bertil and Rolf Lindfors, eds, Långfilm i Sverige 1910-1919, Stockholm: Proprius, 1991.
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